第一届深圳华侨城创意文化园爵士音乐节1st OCT LOFT JAZZ FESTIVAL

第一届OCT-LOFT国际爵士音乐节
1st OCT-LOFT JAZZ FESTIVAL
主办Organizer:
深圳华侨城创意园文化发展有限公司 Shenzhen OCT-Loft Culture Development Co., Ltd.
策划Curator
旧天堂文化传播有限公司 Old Heaven Culture Communication Co., Ltd.
在南中国音乐重镇深圳，一场世界级的爵士乐盛宴即将火热上演：来自美国，荷兰，丹麦，瑞士，法国，英国，德国，挪威，加拿大，澳大利亚，马来西亚，中国等十六个国家和地区的二十一支优秀乐队，将于9月25日至10月15日齐聚华侨城创意文化园北区的B10艺术空间，在这个激情洋溢的金秋为我们献上无比精彩的爵士音乐节。
其中包括在乐坛活跃的时间已经超过了40年的传奇低音大提琴手Eddie Gomez，这位拉丁格莱美奖得主的音乐合作伙伴包括Miles Davis、Dizzy Gillespie、Bill Evans、Gerry Mulligan以及Benny Goodman等。当年作为低音大提琴手加入了Bill Evans（世界爵士乐史上最优秀的钢琴演奏家之一）爵士三重奏乐团，并一炮成名。美国《时代周刊》在为其在乐团的第一张唱片报道时评价道：“Eddie Gomez在他的琴弦上拥有了全世界。”他在世界各地参予录制的唱片更是多达数百张，是当今世界乐坛硕果仅存的爵士大师之一。
而来自欧洲的Rusconi，Gatecrash，Michel Bisceglia Trio，Logic，Simin Tander，In The Country等爵士新贵近些年更是锋芒毕露，横扫各大重要爵士奖项，成为当今世界乐坛最生猛鲜活的中坚力量。
在关注主流爵士乐坛的同时，本次音乐节更是秉承“世界的爵士”这一理念，邀请了令人惊喜的第三世界爵士乐团的加盟，包括来自古巴的顶级民族爵士乐团Estudiantina Ensemble， 来自巴西的接触鼓手Alexandre Cunha，多国音乐家组成的非洲爵士融合乐团Mdungu，立陶宛著名的爵士摇滚乐团Dainius Pulauskas Group， 将使这次音乐节成为一个跨越种族和国度，多种文化强烈互动的乌托邦。
与国外顶级乐团遥相呼应的是来自中国新疆的哈萨克前卫摇滚乐队IZ，他们是中国音乐界的传奇：他们几乎从未登上过国内的主流舞台，但却已经演遍了世界多个国家的大型音乐节。在大部分中国乐迷还刚开始听他们的时候，他们却已经完成了从民族到前卫的华丽转身；他们几乎没有做过像样的宣传，但是却有一大批死忠乐迷仅仅跟随。IZ乐队出现在爵士音乐节里面可能会让许多传统爵士乐迷大跌眼镜，但是正因为他们的加盟，突显了爵士乐的开放气质，而同时也体现了华侨城创意文化园“兼容并蓄，共生共荣”的文化野心。
传统与现代，爵士与民族——多元文化的相互包容和碰撞将集中体现深圳作为中国文化前沿的先锋特性。而这次阵容鼎盛，视野独特的音乐盛事必将成为一个城市的文化名片，在众多的文化活动中展现它卓尔不群的独特魅力。
进场时间 Entering Time: 7:00PM
活动地点 Venue: 华侨城创意文化园北区B10 B10, OCT-Loft, Overseas Chinese Town, Shenzhen
票价 Price: RMB 50/每晚per night
查询电话 Inquiry Tel: 0755 8614-8090, 0755 2650-6434
演出时间表Time Schedule:
9.25周日 Deafaids (Peter Scherr)/ Alexandre Cunha
9.26周一 Estudiantina Ensemble/ ACID Live
9.27周二 Trio d’en bas/ Eric Vloeimans’ Gatecrash
9.28周三 Dainius Pulauskas Group/ Mdungu
9.29周四 In The Country/ RUSCONI
9.30周五 Simin Tander/ Stouxingers
10.1周六 Li Gaoyang and His Band/ Bjorn Solli Trio
10.2 周日李晓川爵士二重奏/ The MICHEL BISCEGLIA Trio
10.3周一 马木尔和IZ乐队
10.4周二 LOGIC/ Girls in Airports
10.13周四 Eddie Gomez爵士五重奏乐团
10.15周六 Cedric Hanriot French Stories Trio
乐队详细资料介绍Band Intro:
9月25日 周日 第一场20:00-21:00
Deafaids (Peter Scherr) Hong Kong/USA
Saxophone 萨克斯
Bob Mocarsky, Keyboards 键琴
Jack Greminger, Drums 鼓
Peter Scherr, Bass 低音吉他
 
Peter Scherr is an American double bassist/composer/musical strategist living in Hong Kong. His current focus is the realization of creative music concepts. He has over 20 years professional experience ranging from positions with symphony orchestras through jazz and avant-garde music performance and composition. He has performed and recorded with leading creative musicians such as his brother Tony Scherr, drum in areas of unique interest. His current focus is the realization of creative music concepts. He produces and performs in a series of concerts in Hong Kong, bringing together emerging artists on the vanguard of creative music, composing, performing and recording original works. One of his long-term goals is the establishment of a common practice of creative music in China, drawing on the talent of the most interesting improvisers from around the world.
Peter Scherr 是旅居香港的美国低音大提琴家／作曲家／音乐策划人.他目前专注于创意音乐概念的实践,拥有20多年专业经验，从交响乐演奏到爵士和先锋音乐的表演和作曲。
他曾与众多一流地创意音乐家合作以及同台演出和录制唱片，其中包括他兄弟Tony Scherr、鼓手 Kenny Wollesson、Jim Black 和 Anton Fier、Bruce Huron、John Carlson、Matt McMahon 和 Simon Barker 等。Shcerr 先生追求在独特兴趣领域里音乐的出神入化和启迪。他目前的焦点是创意音乐概念的表现。他在中国各地组织和参与表演了一系列音乐会，把在创意音乐以及创作、演奏 和录制原创作品方面处于先锋地位的艺术新秀汇聚一堂。他的长期目标之一，是利用世界各地最引入注意的即兴音乐家的才能，在中国实现创意音乐的普及。
http://www.tudou.com/programs/view/vSB8CAm1HHA/
9月25日 周日 第二场21:30-22:30
Alexandre Cunha Brazil巴西
Alexandre Cunha: drums 鼓
Marcelo Fernandes: saxophones, flutes 萨克斯，长笛
Bruno Coppini: electric bass 低音吉他
Janice Pezoa: keyboards 键盘
Alexandre Cunha is the first musician in the Odery family. His passion for Drums inspired his father to create the brand that carries the name of the family, and today is known as
one of the best Drums in the world, the Odery Drums.
Professional Drummer for 22 years, Alexandre has always considered musical excellence as his utmost goal. He lived in Germany from 1994 to 1997 and played in the best jazz clubs.
Since 2004 Alexandre has hosted an editorial section in Modern Drummer Brazil, the most prestigious drum magazine in the country. In 2005, his debut record, Batepapo, gathered some of the best Brazilian musicians such as Airto Moreira and Alegre Correa to present traditional Brazilian music with a fusion approach. This CD became one of the top ten CD’s of 2005 in Smooth jazz and more. In 2007, Alexandre released his second CD, “batepapo 2 ao vivo em studio”, a live record with his quintet.
In 2008, he released a DVD about drum soloing and his band was the first Brazilian group to play at the Shanghai International Jazz Festival, one of the most important festivals in Asia, and later released a DVD of this performance, Live in Shanghai, before travelling through China to play at many jazz clubs.
“Alexandre Cunha, an endlessly inventive master-drummer, drives this music with a light but forceful touch. Even listeners who are not particularly attracted to so-called world music will be pleasantly surprised.”
Budd Kopman - All About Jazz, May 3rd, 2006.
Alexandre Cunha对鼓的热爱,启发其父亲以家族名称制作了一系列的爵士鼓品牌.今天,这品牌已经成为全球最受欢迎的品牌之一-----奥德尔鼓
Alexandre鼓手的职业生涯超过二十年,在1994至1997年旅居德国期间,活跃于当地著名的爵士乐会所.回到巴西之后,以其组成的二重奏而闻名.其首张大碟<<Batepapo>>成为2005年Smooth jazz and more的十佳唱片.2007年,推出第二张CD<<Batepapo 2 ao vivo em Studio>>.
2008年,乐队作为第一个巴西乐队参与上海爵士音乐节,亚洲最重要的节日之一.之后推出DVD<<Live in Shanghai>>. 其后,Alexandre在环游中国其他城市爵士乐队之前一直住在上海
“Alexandre Cunha是一位创意无限的杰出鼓手,其音乐刚柔并重,就算对所谓世界音乐兴趣不大的听众,亦有以外的惊喜.”---Budd Kopmen, All About Jazz
http://www.myspace.com/alexandrecunha
9月26日 周一 第一场20:00-21:00
Estudiantina Ensemble Cuba 古巴顶级本土民族爵士乐队
Ricardo A.J.J. Bekema : lead vocal, guitar 主音、首席吉他
Pedro Luis Pardo Cosme : vocal, third guitar 第三吉他、和音
Oscar Lorient Vedey: lead vocal, percussions 主音、擊击乐
Eric Gustaaf Wijngaarde: lead vocal, percussions主音、擊击乐
Adriaan Joaquín CORREA: Baroque Timpani (pailas criollas) 巴洛克式的定音鼓
Alexander Rodriguez CALA: Trumpet, Percusion Menor 小号,敲击乐器
Ernesto Paz RIVERO: double bass 低音大提琴
Singer/guitar player Ricardo "Aristides" Bekema founded the Estudiantina Ensemble in dedication and preservation of danzon music in the Estudiantina tradition from Santiago de Cuba in east Cuba. Estudiantina groups were formed by students who roamed the streets and local festivities, played the popular version of danzon during the late 19th century.
In addition to the vocals, this style uses two guitars, the tres-guitar, bass, trumpet or flute, claves, guiro, maracas and traditional pailitascubanas.
In 2007, the ensemble received an invitation from Buena Vista Social Club-member Eliades Ochoa to play at the prestigious'Festival de la Trova Pepe Sanchez' in Santiago de Cuba. They were performing on the legendary stages and in front of the camera's of the Cuban State Television and an ecstatic Cuban crowd.
Estudiantina组合是由领隊Ricardo “Aristides" Bekema一手建立，为了传承及保护东古巴的圣地亚戈類別的坦桑音乐。Estudiantina组合形式最初是由街头和为当地节日表演的学生组成的，演奏19世纪末流行坦桑音乐。后来发展成为专门采集及改进失传坦桑音乐运动组合.
除了声乐部分外，这组合形式除配有三名吉他手外，还有低音吉他、喇叭、笛子、响棒、锯琴、沙錘和其它传统乐器，才能製造出强勁的節奏
感覚出來。
2007年，该团应著名的美丽村俱乐部的邀请，到古巴圣地亚哥著名的节目'Festival de la Trova Pepe Sanchez' 表演，在这传奇的舞台演奏，並被古巴电视台摄录，同時赢得了古巴民众的狂热追捧。
http://www.estudiantinaensemble.nl/ja/index.php?option=com_content&view=article&id=57&Itemid=67&lang=nl
9月26日 周一 第二场21：30-22:30
ACID Live China/UK/Malaysia
Gao Hong Zhang, vocal 主音
Zhang Zhang: keyboards 键琴
Liu Yang: bass 贝斯
Wen Xiang: guitar 吉他
Da Wei: drums 鼓
Christopher Cool, DJ
Chew Weng Yeow, VJ
More a collective than traditional band, the group’s five official members: Zhang Zhang on keys, DJ Shiva on the decks, Liu Yang on bass, Wen Xiang on guitar and Da Wei on drums change and create unpredictable fusion jamming that reflects the range of cultural flavors in Beijing’s arts and music scene. You might hear a twisted wa-wa version of the Mission Impossible theme morph into blues before dissolving into an ocean of ambient electronic crackles. While many are drawn to this intensely psychedelic sonic experience, others are drawn to Hua’s philosophy towards free-form music and collaboration, as much as to its consummate musicianship. If a ‘60s-style counterculture ever takes off in China, this fusion of Beijing’s musical voices will provide the soundtrack. Hua (化) represents a new era of inspirational, multicultural art through the international medium of sound and color to leave every participant with a deeper impression of culture, art and music.
他们不是传统的乐队,他们的音乐很丰富，他们的现场很带劲！2009年4月，当Acid live(化现场)首次在北京“两个好朋友”酒吧登台时，所有的观众都玩疯了。独立、前卫、时髦、自由、迷幻……这支以“化”为主题的现场乐队，诞生之初就给充斥着各类演出的京城带来不一样的声音。
事实上，在这一全新的现场背后，是一次次关于音乐的大胆尝试与探索。来自中外的优秀音乐人，将Funk、电子、酸爵士、Indie Rock等音乐风格进行融合并演绎。这就是“化”的含义，各种音乐组合带来的化学反应。而如此迷人的乐队现场，你又怎能拒绝？毫无疑问，独特的定位使他们迅速走红。十多场演出后，通过MAO、愚公移山、两个好朋友等各个重要live house亮相，Acid live(化现场)制造出火爆的演出佳绩，开始引领一种崭新的音乐潮流。
http://v.youku.com/v_show/id_XMTE2MTE5NDY0.html
9月27日 周二 第一场20:00-21:00
Trio d’en bas France
Arnaud Rouanet| Tenor Saxophone, Clarinet, Sampler, Voice 高音萨克斯，单簧管，混音，声乐
Samuel Bourille| Piano, Keyboards, FX, Voice 钢琴，键盘，音效，声乐
Yoann Scheidt | Drums, Percussions, Trombone, Voice 鼓，敲击，长号，声乐
A culmination of this trio’s artistic projects, Trio d’en Bas was formed in 2003 to play “high-brow music for low-brow France” or simple, music that has been labeled yet is heard to describe.
Over the pass five years, they have done concerts in their original trio from and hybrid forms born out of collaboration with other artists such as music and circus, music and theater, music and painting, music and dance, music and video….
Their music ID definitely jazz influenced yet unclassifiable; a joyful mix of original compositions with sudden improvisations, angry political outbursts and unexpected humor, not to mention, the “revisitations” of borrowed themes from the annals of jazz, French pop and sometimes even international pop music.
Trio D’en Bas is the winner of Jazz Migration Contest,2010 Conferred by AFIJMA(the Association of Innovative Jazz and Contemporary Music Festivals) and the FSJ(Federation of Jazz Venues).
Arnaud Rouanet, Samuel Bourille和Yoann Scheidt走在一起,只有一个目的:探索”由下层社会而来”的艺术.当你不自觉的全神贯注于随和而不单调,层层紧扣的乐章时,你会发现这是”为通俗品味而设的上层优雅音乐”.传媒的尖锐评论不算什么,与社会现实共存才是上策,他们选择了从流行音乐中取材,创作出带有爵士影子的音乐.或许把原创,即兴演奏,突如其来的幽默,偶尔为政治议题发出怒哮等元素共治一炉,无以名之,干脆称之为艺术的乌托邦会更为传神.
http://www.triodenbas.com/Cie_Triodenbas_Menu_English.html
9月27日 周二 第二场21:30-22:30
Eric Vloeimans’ Gatecrash | Netherlands
Johannes Adrianus Maria VLOELMANS:Trumpet 小号
Jeroen Bernardus Franciscus Maria: Fender, Keyboards 电吉他,键盘
Gunnlaugur GUDMUNDSSON: Bass, Effects 贝斯，音效
Jasper Jacobus van HULTEN: Drums 鼓
Dutch trumpeter Eric Vloeimans (born 24 March 1963), one of Europe's best, prefers recording originals on his many award winning CD's although he can also be heard performing others. Vloeimans started in classical music but got sucked into jazz and later, graduated with distinction in 1988. He continued his studies in New York under Donald Bryd and gained experience with the big bands of Frank Foster and Mercer Ellington. This multi-award winner has played with jazz figures from Holland, the US, Germany and quite a few others (e.g. Michiel Borstlap, John Taylor, Marc Johnson, Nguyen Le, Lars Danielson and Jimmy Haslip).
His quartet, Gatecrash, inspires visions of breaking boundaries and crashing through barricades with reckless abandon. Their electronic sound, infused with delicious Fender Rhodes textures and effects, is captivating as Vloeimans’ trumpet provides companionship through it all.
“Vloeimans plays crisp and self-assured, embodying the articulate melodism of Clifford Brown plus many shades of Miles, without being imitative” -- JazzTimes
“An accomplished storyteller, Vloeimans refuses to restrict himself to any 'Particular melodic format or sonic texture.” --Ernest Barteldes, Miami New Times, October 2008
要取得素负盛誉的”荷兰爵士乐大使”,坚持原创,技术超卓,作品优秀还不够,还需要像荷兰小号手Vloeimans一般以探险家般的精神和热诚来挑战规则.听Vloeimans,你会发现和谐不致流于平淡,狂傲得来收放自如,甜蜜狂欢竟会引至烈火焚身---一切为了提供一个想象空间,令你如痴梦迷.
荷兰小号手艾里克·威罗艾蒙斯（Eric Vloeimans）被认为是欧洲最出色的原创音乐演奏家之一。除录制了许多获奖的原创作品唱片外，威罗艾蒙斯还经常参与各种风格的表演。作为一名作曲家，他从不把思路局限于某种音乐形式，而是努力去创造一种能够唤起人们内心共鸣的、和谐的音乐语言。他的作品总是既充满创新又尊重传统。
Vloeimans起先在纽约跟Donald Bryd学艺.后来跟Frank Foster和Mercer Ellington大乐队合作.先从曾伙拍Michiel Borstlap, John Taylor, Marc Johnson, Nguyen le, Lars Danielson及Jimmy Haslip演出,都为人津津乐道.这两年来,Vloeimans更在古典流行及摇滚音乐节中亮相,可见其音乐所涉及的层面是如何广阔无界.
http://video.sina.com.cn/v/b/25906971-1400623701.html
9月28日 周三 第一场20:00-21:00
Dainius Pulauskas Group | Lithuania 立陶宛著名的爵士摇滚乐团
Dainius Pulauskas - keyboards; 键盘
Valerijus Ramoska - trumpet, flugelhorn; 小号,粗管短号
Rimantas Brazaitis - tenor sax; 次中音萨克斯
Kestutis Vaiginis - alto & soprano saxes; 中音及高音萨克斯
Leonid Sinkarenko - bass; 低音吉他
Linas Buda - drums 鼓
Dainius Pulauskas Group was formed in 1994 and debuted as a quintet but, by 1996, had evolved into a sextet and before long became one of the most significant Lithuanian jazz groups and winning international acknowledgement. Over the years, DPG has performed in a number of European countries as well as in jazz festivals in China, India, Indonesia and USA.
Currently, Dainius Pulauskas Group is well known not only to Lithuanian but also for foreign audiences and performs more abroad than in Lithuania. Its performances are usually well received by audience and critics. The Finnish jazz critic R.Haapsamo called their music "a powerful pulse of the modern jazz". The Swedish critic Bo Levender states that "Pulauskas, together with his colleagues creates the best fusion as it can be. The variety of their musical expression is 'giddy'. These are the somersaults of tearaway swinging and rhythms, and… the most genuine, pure and unembellished jazz."
Dainius Pulauskas Group is characterized by their use electronic and acoustic instruments to create a very eloquent music space; a very peculiar version of fusion. The Group is unique because of its extreme ensemble plus the collective mastery of all the players; all professional musicians who very frequently appear on Lithuanian jazz stages and who are excellent when performing together or with different groups.
Dainius Pulauskas Group 于1994年成立,原以五重奏乐团姿态首次登台,于1996年间进而为六人组合,且随即成为甚至立陶宛炙手可热的爵士乐团,并载誉国际.多年来,乐队巡回欧洲多国演出,更曾参与中国,印度,印尼以及美国等地多国的爵士音乐节.
现时,Dainius Pulauskas Group不仅享誉国内,更疯魔海外乐迷,海外演出比国内更多.乐团的演出备受观众与乐评人赞誉.芬兰爵士乐评人R.Haapsamo称誉他们的音乐为”现代爵士的一股强劲活力”;瑞士乐评人Bo Levender认为,Pulauskas与他的队友创作了史上最好的融合爵士乐,其音乐面貌多变至令人”眼花缭乱”,这好比将摇摆乐节奏和旋律飞跃翻腾一样充满动感,而且…..这真的是最名副其实的纯粹,原始的爵士乐.
Dainius Pulauskas Group的特点是用电子和声学乐器创造一个动人的音乐空间；一个非常特殊的融合效果。乐队因其极端合奏和团员的集体智慧相融合以及在立陶宛爵士舞台上表现卓越的专业音乐家而独树一帜.
http://www.vilniusjazz.lt/agency/pulauskas_sextet.htm
9月28日 周三 第二场21:30-22:30
Mdungu, Africa/Holland 多国音乐家组成的非洲爵士融合乐团
David Beukers: tenor sax, vocals 次中音萨克斯,和音
Job Chajes: baritone sax 上低音萨克斯
Frank Gones: guitar 吉他
Michael Bel: guitar 吉他
Merjin van de Wijdeven: bass, ska specialist 低音吉他,Ska
Ebou Gaya Mada: sabar, vocals 主音歌手,Sabar
Benoit Martiny: drums 鼓
Ruben Montes: percussions 敲击乐
Thijs van Milligen: Alto sax 中音萨克斯
Mdungu is a nine piece band based in Amsterdam. The musicians, from Holland, Luxembourg, Spain and Gambia, perform their music with skill, flair and energy that is irresistible to any audience. African music by Mdungu is a strong musical experience: it funks, it grooves, it moves your feet and feeds your soul. The percussion is dazzling, the melodies enchanting and the vocals, captivating, creating a chemical reaction that makes people start dancing and romancing. The moment Mdungu kicks off and the music takes over; there is no future, no past, no borders, no passport. The groove is king, and that’s the way it should be.
Mdungu was founded in 2003 by alto saxophonist Thijs van Milligen. From the start Mdungu was a most welcome guest on international stages and festivals of world music, pop and jazz scenes. After the release of their debut album in 2009, they toured intensively in Holland and abroad. A few of the venues they played in are: the dlr Festival of World Cultures, Ireland; Frequenzen Festival, Germany; Openluchttheater Rivierenhof, Antwerp; the Music Meeting, Nijmegen; Amsterdam Roots; Dunya Festival, Rotterdam ; Eurosonic/Noorderslag and Paradiso, Amsterdam. Mdungu receives financial support from the Music Xport programme for 2010/2011: an initiative of Buma Cultuur and Music Center the Netherlands (MCN) that aims to enhance the profile of Dutch artists abroad, andhence to extend their possibilities.
Mdungu是来自荷兰城市阿姆斯特丹的九人大乐队,成员分别来自荷兰,卢森堡,西班牙以及赞比亚.他们的演奏技巧精彩绝伦,活力充沛,带令观众如此如醉.Mdungu的非洲节演奏带给观众深刻的音乐体验:强劲的节奏和敲击乐令观众忘然起舞;优美的旋律又散发异国情调.
Mdungu由中音萨克斯手Thji van Milligen在2003年成立.在国际舞台上无论是爵士乐,流行乐或世界音乐的各种节日上都广受欢迎,在2009年发表首张专辑后,便忙于到世界各地巡回演出,给各地观众留下难忘的印象.
http://www.tudou.com/programs/view/0l6oEaEs5YM/
9月29日 周四 第一场20:00-21:00
In The Country Norway挪威
Morten Qvenild,piano钢琴
Roger Arntzen, bass 贝斯
Pål Hausken, drums 鼓
In The Country belongs to no musical world as their music contains inspiration from a lot of different genres.
Best known for being the orchestra in Susanna and the Magical Orchestra, Morten Qvenild has been a member of both Shining and Jaga Jazzist and is a long term member of Solveig Slettahjell’s Slow Motion Orchestra. He formed In The Country with bass-player Roger Arntzen and drummer Pal Hausken at the Norwgian Academy of Music in Oslo in 2003.
Since then, they have been selected as best young jazz artists in Norway, played concerts in Europe, USA and Asia and, released three albums and a concert to much critical acclaim. Downbeat called their debut album “Whiteout” was voted one of the “Best Releases of 2009”.
听In The Country,不会有似曾相识的感觉,他们的音乐受不同风格的启发，不乏创意灵感，但每每在灵感激发的一刻过后，你会发觉那音乐仍然是一贯平实不造作。这三个年轻人也确实不赖，一出道便被选为挪威最佳年轻爵士乐手，随即出版了一张被《Downbeat》誉为欧洲全年度中最出类及突出的唱片。
近年来更是气势如虹，登台欧洲,美国以及亚洲各地的音乐节.2009年的作品《Whiteout》更被L.A.TIMES、ALL ABOUT JAZZ、Swedish Lira选为年度最佳唱片。挪威权威报章Dagens Naerlingsliv和Turkish Undomundo对他们赞口不绝。
http://www.hkijf.com/zh/2011-07-06-17-31-12/141-in-the-country-norway-chi
9月29日 周四 第二场21:30-22:30
RUSCONI Switzerland瑞士
Stefan Rusconi, Piano 钢琴
Fabian Gisler, Bass 贝斯
Claudio Struby, Drums 鼓
Rusconi Trio, who stormed the world at the Jazznojazz Festival in Zurich, 2006,was immediately praised as “The New Discovery” and was hailed as the new Esbjorn Svensson Trio after his passing in 2008.
Their music is harmonic and warm without appearing sterile while expressing an interplay of disunity and aesthetics. Stefan Rusconi’s piano impresses with his rhythmic elegance and captivating harmonic magic. They are young, fresh, stylistic, and innovative - but above all they are simply great performers. The trio is said to be the future of jazz.
Their new album “It’s a Sonic Youth” is inspired by the music of sonic Youth, one of the most influential indie rock bands. Ruconi will be showing a new side without loosing their own distinctive sound in this exceptional project, continuing to lift the European Jazz scene to a higher level.
Rusconi于2006年在苏黎世的Jazznojazz爵士音乐节上演奏其第二张大碟《Stop & Go》中的作品而一鸣惊人,随即被誉为是当年欧洲爵士音乐节中的“新发现”。
他们的音乐在表现分裂和美的相互碰撞时和谐热情不乏味.Rusconi擅长钢琴，以节拍优雅，慑人的琴音而受到捧戴。他们年轻，清新，有风格，有创意，是渴求革命的爵士乐民的救世主。他们被誉为爵士乐的未来.
新大碟《It’s a Sonic Life》中的音乐，是受到独立摇滚乐队Sonic Youth所启示而创作的，可说是一个大胆越界而成功的例子。Rusconi被欧洲传媒般誉为EST（Esbjorn Svensson Trio）的接班人。去年来港演出后极受好评，回欧洲后在德国卷了格Echo Music Award大奖后，今年再重返香港国际爵士音乐节，万勿错过。
http://www.hkijf.com/zh/2011-07-06-17-31-12/149-rusconi-switzerland-chi
9月30日 周五 第一场20:00-21:00
Simin Tander, Holland 荷兰著名爵士女声新星
Simin Tander, Voice, Composer 歌手以及作曲
Etienne Nillesen, Drums 鼓
Cord Heineking, Double Bass
Jeroen van Vliet, Piano 钢琴
The Simin Tander Quartet represents a new sound in the European jazz landscape:mysterious, surprising, rhythmically varying and tenderly beautiful but at the same time strong and very pointy. This German-Afghan leader of the quartet sings “stories without words,” purely using her voice and a very broad palette of sounds. Besides her richness in sounds, she also uses contemporary lyrics in different languages and sometimes even creates her very personal “fantasy language”. Expressive, free improvisation united with delicate singer-songwriter elements with a hint of oriental mysticism are characteristics of her style. The Simin Tander Quartet reveals four creative musicians that form a very well balanced union; each with his own voice and ability to express it within Simin’s compositions.
“Music is an almost sacred space in which I can be ME,” says Miss Tander.
Simin Tander代表了欧洲爵士乐坛的新一代声音：神秘、节奏多变、优美含蓄但强而有力的音乐。德国及阿富汗裔的Simin Tander是组合的主音歌手，她拿广阔的音域能够唱出动听的《无言故事》，除了拥有淳厚的音色外，她亦擅长以不同的语言演绎当下的歌词，有时甚至创造出她特有个性的演绎风格。表演力强以及创作人细致的自由即兴，往往在乐曲中加入一点神秘的东方感性。组合中四位乐手创意洋溢，各显所长而和谐得体，把乐曲演奏到近乎完美的效果。
Simin Tander认为“音乐是她表现自我的神圣空间”。过去几年，Simin Tander被邀请在多个重要的舞台演出，包括北海爵士乐节、德国的女性爵士乐节（Women In Jazz Festival）、Jazzahead及荷兰的Music Meeting等，她也为德国两部出名的电影配乐录音。
http://www.simintander.com/simintander.html
9月30日 周五 第二场21:30-22:30
Stouxingers Germany 德国
Katharia Debus, Vocals 声乐
Michael Eimann, Vocals 声乐
Gregorio Hernandez, Vocals 声乐
Karsten Muller, Vocals 声乐
Thomas Piontek, Vocals 声乐
Konrad Zeiner, Vocals 声乐
Creating more than just their own mix of Pop, Jazz and R&B, these voice experts represent extraordinary vocal performance. The Stouxingers, founded by Michael Eimann, their composer and arranger, have won fans at concerts and a cappella festivals throughout Europe and Asia.
The group ranks among the top a cappella ensembles from Germany, enchanting juries of such international competitions as “Vokal Total” in Graz (AT), winning two “Ward Swingle Awards” and three “Golden Diplomas” (Jazz, Pop, and Open Category) as well as the Contemporary A Cappella Recording Award (CARA), the so-called Grammy of the cappella scene.
“Six Voices”, a song from the Stouxingers album “Nothing is Real”, was the Contemporary A Cappella Recording Award (CARA) winner of “Best Jazz Song of the Year” in 2008. The album itself was selected as the second best Jazz album of the year worldwide in 2009 the group recorded a soundtrack for the film “Mensch Kotschie”. An a cappella symphony is also in the works, as well as a jazz version of Handel’s “Messiah” in collaboration with the Klazz Brothers.
Stouxingers由身兼作曲和编曲的Michael Eimann成立，多年来在欧、亚的无伴奏合唱节及音乐会赢得不少支持者。队伍被誉为德国优秀的无伴奏合唱团，于国际比赛获奖无数。
来自Stouxingers唱片《Nothing is Real》的歌曲《Six Voices》，是Contemporary A Capplella Recording Award (CARA) 2008之“年度最佳爵士乐曲”，该唱片则获选为同年全球第二佳爵士大碟。
2009年，Stouxingers为德国电影《Mensch Kotschie》灌录原声大碟。作品还有一首无伴奏合唱交响乐，以及与Klazz Brothers合作的爵士版韩德尔《救世主》乐曲。
http://www.stouxingers.de/disco_de.php
10月1日 周六 第一场 20:00-21:00
Li Gaoyang and His Band 李高阳四重奏
卲哈哈，鼓手 drums
李高阳，EWI、萨克斯 saxphone
金野，键盘手 keyboard
胡浩，贝斯手 bass
Li Gaoyang and his band consists of four promising young Chinese jazz players, namely Shao Haha on drum, Li Gaoyang on EWI and saxophone, Jin Ye on piano and keyboard, Hu Hao （or Bi Zhigang）on bass, among which the youngest saxophonist Li Gaoyang is only seventeen. These four prominent musicians have played an active role in the jazz stages home and abroad, with the band being considered by many experts in the industry as an emerging power brimming with incredible creativity and capability.
 
The band is committed to jazz study and improvisation. They recompose some Standard in Hard Bop time, merging with it the features of speed, wisdom, freedom and self-affirmation advocated by metropolitans in the industrialized, information and urbanized age. With such effort, their music never fails to strike a chord among audience. Their original works with a combination of different elements reveal their concern for the global environment, pursuit of a harmonious and beautiful life and calling for the tender feelings of human beings.
李高阳四重奏由鼓手邵哈哈，EWI、萨克斯手李高阳，钢琴、键盘手金野，贝斯手胡浩四位年轻的爵士演奏家组成，其中最小的萨克斯手李高阳只有十七岁.这四个才华横溢的音乐人致力于爵士乐研究和演奏，近年来活跃于国内外的爵士乐坛，是一支极富创意和实力的中国本土爵士乐队。
李高阳乐队演奏风格为美国东海岸爵士乐。除了将Hard Bop时期的一些Standard重新编曲演绎，形成以在工业,信息和城市化时期所拥护的速度,智慧,自由和自我肯定为特点的音乐,同时,还演奏融合不同元素创作的原创作品,展现他们对全球环境,追求和谐美好生活以及呼唤人性的关心,他们的音乐从没有让听众失望。
乐队先后参与北京中山音乐堂“打开艺术之门暑期音乐节”“北京九门国际爵士音乐节” 、中国乐谷2011北京国际流行音乐季等大型演出。乐队充满活力、激情和时代感的现场演奏，备受观众喜爱和专家好评。
http://www.tudou.com/playlist/p/l13077514.html
10月1日 周六 第二场21:30-22:30
Bjorn Solli Trio, Norway/Australia
Bjorn Solli, guitar 吉他
Steinar Nickelsen, organ 电风琴
Nick McBride, drums 鼓
Norwegian guitarist/composer, Bjorn Solli, now based in New York, was voted “Young Jazz Musician of the year” in 2002 and has since won numerous awards throughout Europe, including soloist prizes in Switzerland and Spain and, a composition prize in France. With his trio “SOLID”, he has released 3 critically acclaimed CDs distributed worldwide.
in the last decade or so, Solli’s collaborations have taken him to places like China, Nepal, India, California, Australia and Ireland. In New York, he’s played at Dizzy’s Club, Smalls, The Bitter End and with people like Marcus Strickland and Seamus Blake. Bjorn has also opened for The Manhattan Transfer, Anthony Hamilton, Peter Gabriel, Robert Plant and Jean Luc Ponty .
现时的纽约打木人巷的挪威籍吉他/作曲家Bjorn Solli，2002在家乡获得“年度最杰出年轻爵士音乐人”，及在欧洲各国获得无数音乐奖项，包括最佳独奏奖（比利时，摩纳哥，西班牙），最受观众喜爱音乐人奖（瑞士和西班牙）以及最佳作曲奖（法国）。目前他在全球发行了三张个人专辑，广受好评。
过去十年间，Solli曾到过中国，尼泊尔，印度，加利福尼亚，澳洲和爱尔兰等地表现。亦曾在纽约著名爵士乐聚集地Dizzy’s Club，Smalls, The Bitter End等演出。Bjorn曾为多歌星演唱会做暖场嘉宾，包括The Manhattan Transfer, Peter Gabriel, Rober Plant和Jean Luc Ponty。
http://www.myspace.com/bjornsolli
10月2日 周日 第一场20:00-21:00
李晓川爵士二重奏 2011美国国家小号比赛爵士组优胜奖
李晓川: 小号trumpet
Teriver Cheung: 吉他 guitar
Li Xiaochuan is a jazz trumpeter and composer, who has become one of China's premier jazz
musicians since his emergence in 2001.However, his talent in jazz and creative musical expression, soon made him one of the most sought-after jazz musicians in China. After playing his first jazz concert in 2004, he began to work with the Shanghai Jazz Orchestra and played at Shanghai Jazz Festival 2006 and 2007.Also during this time he lead the group "E-Groove", a Shanghai-based jazz band that performed original music, fusion, and jazz standards. For this project he collaborated with outstanding musicians and singers such as Coco Zhao, Nils Landgren, Wang Hao, Erica Lee, Jasmine Chen, Chih-Peng Chen, Tian Guoan Etc.
In 2007, he left Shanghai and headed for Texas to pursue his Master degree in University of North Texas. There he received the Richard Dalrymple Memorial Jazz Trumpet Scholarship and was the first Asian musician
receives this scholarship.He has studied with Mike Steinel,Ingird Jensen, Fred Hamilton,Rodney
Booth,Jay Saunders,and Joe Magnarelli etc. As an active working jazz musician, he has played
with a number of great musicians such as Stefan Karlsson,ED Soph,Dan Haerle,Lars
Jansson,Bernard Wright, Tito Puente JR,Dana Hawkins, Brad Leadi and Shelley Carroll Big
Band,UNT 2 o'clock Lab Band,The Zebras,Bon Jovi (as opening band) and many more. He has
also been fortunante enough to perform in such venues as Morton H. Meyerson Symphony
Center Dallas,Murchison Performing Center, Stan Kenton Hall, and Syndicate jazz
lounge,Frisco Jazz Fest,Denton Art & Jazz Fest,Deep Ellum Jazz Fest, live show in Dallas radio
station KNON 89.3, and jazz clubs in New York City.
建立与发展在美国的李晓川爵士四重奏致力于给音乐注入新的生命，无论是在个性，以及音乐的发展方向上，他们都是⼀一个引人注目的团体。其成员来
自不同的国 家，有着不同的文化背景，所以他们的音乐被赋予了极其独特的声音。他们的音乐风格融合了传统爵士、古典、摇滚和⼀一些流行音乐的
元素。这样的融汇一直让听众 对他们的音乐抱有期待和惊喜。
李晓川四重奏强调整个乐团的独特性，希望建立全新的音乐类型。音乐和智力的结合，这种想法体现了⼀一种微妙的结构和坚定的⼀一致。从人类的经验来看， 在充满了狂喜的水沟总是依着幻化万变的生活道路伸延出去的，而有时却平静地淌着眼泪，颤动。在内心的平静和痛苦中，音乐与情感同行，去捕获
⼀一切形式的抽象、纯粹、原始的感觉。
http://www.myspace.com/music/player
10月2日 周日 第二场21:30-22:30
The MICHEL BISCEGLIA Trio, 比利时
Michelino BISCEGLIA: piano 钢琴
Volker Hermann Michael HEINZE: double bass
Marc Michael LEHAN: drums 鼓
Pianist,composer and arranger Michel Bisceglia is one of the most important and most vigorous musicians from Belgium. In 1996, at the age 26, he started his current trio that on their CD “About Stories”(RCA Victor) had the privilege to work with Randy Brecker and Bob Mintzer. Since 1997, he’s recorded only three CDs with his trio but has played in world-famous jazz festivals such as the Rochester International Jazzfestivals(USA), the Guimaraes Jazz Festival (Portugal) with Dewey Redman and the Ulverston Music Festival in UK. The three CDs are one after the other masterpieces; exercises in subtilized meditations on intangible melodies.
A typical characteristic of Michel Bisceglia is his working with artists outside the jazz world. In a coproduction with DJ Buscemi a new album was recorded with live ensemble. This album was released in September 2008 on Blue Note Records.
从古典音乐开始，到现在成为比利时爵士乐坛上的天之骄子，Michel Bisceglia一方面受到Keith Jarret, Bill Evans和Lennie Tristano的影响，一方面也没有遗忘孕育了他的古典音乐培养。Michel擅于运用叙事的手法，在似有还无的旋律以外蕴含更深层及更广泛的意义。来听听Michel充满浓厚个人风格的演奏，你将会被Michel的真性情所感动，而重新认识爵士乐的真身。
http://www.tudou.com/programs/view/LuevN8VWntc/
10月3日 周一 20:00-21:00
马木尔和IZ乐队 中国著名哈萨克前卫摇滚乐队
马木尔:base,vocal,dombra, 贝斯 人声 冬不拉
张东:percussion打击乐
努尔太:base贝斯
                
                
新疆的哈萨克族音乐家马木尔和他的IZ乐队在中国的独立音乐界是一个具有传奇色彩的名字。他们的演出几乎不做宣传，却总能吸引众多的追随者。他们在国内的主流舞台少有登场的机会，却受邀在国外各大音乐节上表演。他们的哈萨克语歌词很少有人能听懂，但他们的音乐却可以跨越语言的障碍而打动不同文化背景的观众。
马木尔出生于新疆奇台县，在家里十个兄弟姐妹中排行第四。像大多数哈萨克人一样，他从小与动物为伴，经常在夏天赶着牛羊到高山草场上放牧。马木尔从父亲的冬不拉弹唱和电台广播中接受了最初的音乐教育，长大一点之后又从上大学的哥哥那里得到一把红棉吉他，从而开始了最初的音乐创作。
上个世纪九十年代，马木尔在乌鲁木齐组建了他的摇滚乐队。那时他的音乐受到了一些西方艺术摇滚乐队和前卫艺术家的影响，但其低沉浑厚的嗓音与充满地下气息的电吉他演奏马上就确立了自己独特的风格。
为了生存，马木尔曾经有过一段在深圳的酒吧里驻唱的经历。然而因为无法放弃自己的音乐理想，他离开了那个商业化的环境。2002年，马木尔来到了北京并组建了IZ乐队。经过几年的漂泊以后，哈萨克民间音乐又回到了马木尔的血液当中。他开始重新演绎记忆中那些不知名作者创作的歌曲，并为古老的哈萨克诗歌谱曲。“IZ”在哈萨克语中意为“脚印”，它象征着乐队对于传统的探究与反思。
然而， IZ乐队的音乐并非所谓的“原生态”民歌。他们从哈萨克民间音乐出发，又融合了当代的音乐手法，从而创造出一种独一无二的音乐语言。他们没有受过学院式的刻板教育，而只知忠实于自己的心灵。他们不像哈萨克传统民间艺人“阿肯”那样满足于简单的冬不拉弹唱，而是把哈萨克传统乐器与西方乐器自然地结合在一起，因为他们与父辈相比已经拥有了更为丰富的世界。
2008年，马木尔搬回了乌鲁木齐，并重组了IZ乐队。两年后他们回到北京演出时，人们惊奇地发现，他们又一次前进了。现在IZ乐队的音乐变得更加黑暗深沉，直指人的灵魂深处。作为打击乐器的铁箱子、冬不拉的不协和音以及充满张力的吉他噪音，使他们的音乐少了一分柔美，却多了一分震撼。乐队的歌词也愈加锋利，甚至出现了“你的归宿是地狱”这样充满警世意味的句子。
 近年来，IZ在国际舞台上的活动越来越多。与美国班卓琴大师Béla Fleck、瑞士的哈萨克先锋女歌手Saadet Türköz等人的合作，以及在欧洲的一系列巡演为他们带来了更宽广的视野。在2009年英国举行的WOMAD音乐节上，他们成为了所有演出乐队中在现场销售CD最多的一支。
然而马木尔的生活并没有太大变化。他仍然生活在乌鲁木齐，并不时回到属于哈萨克人的草原和高山牧场，让自己安静下来。马木尔说，只有这样，他才能继续创造属于自己的声音。
Mamer and IZ, a Kazakh band from Xinjiang, are a legend in China’s independent music scene. Despite the fact that their shows are rarely advertised, they nonetheless have attracted many followers. They have few opportunities for mainstream performances in China, but have been invited to many of the world’s biggest music festivals. Even though few members of the audience are able to understand the Kazakh lyrics, their music transcends the limits of language to touch listeners from a variety of cultural backgrounds.
 Born in Qitai county, Xinjiang, Mamer is the fourth of 10 children. Like many Kazakhs, he spent his childhood in the company of animals. Each summer he led cattle and sheep to graze. His earliest musical education was from the radio and the sound of his father's dombra. When he was a bit older, he received a cheap Hongmian guitar from his elder brother, a college student. This was when his musical innovation began.
 In the 1990s, Mamer formed a rock band in Urumqi. At that time his music was influenced by some Western art rock groups and avant-garde artists. His deep voice together with his decidedly underground electric guitar sound established his unique style.
 In order to make a living, Mamer moved to Shenzhen and played the bar circuit there for some time. Later, unable to drop his desires to play his own music, he left that commercial environment. In 2002, Mamer arrived in Beijing and formed IZ. After he drifted around for a few years, traditional Kazakh music made its way back into his heart. He began performing songs of anonymous origin that he remembered, and creating melodies to go with ancient Kazakh poetry. In Kazakh language, IZ means “footprint”, a symbol that the band is probing and reflecting on the tradition.
 However, the music of IZ is not traditional. Rather IZ begins with traditional music and, using the techniques and methods of contemporary music, creates a unique musical language. They have not received academic musical training, rather they are faithful to their intuition. They are not like the traditional Kazakh minstrel, the “Aken”, happy to play simple dombra tunes and sing along to them. Rather, they are looking for a natural conjoining of traditional Kazakh instruments with western instruments. Because, compared with the generation before them, they live in a much more complex world.
 In 2008, Mamer returned to Urumqi, and re-formed IZ. After two years, the group came again to Beijing, and many fans were surprised to find that IZ had taken another step forward. Today the music of IZ is darker, graver. It finds its way into the deepest corners of your soul. The metal box that IZ uses for percussion, the discordant notes of the dombra and the massive tension in the guitar distortion make IZ’s music less gently beautiful, but more forceful. The lyrics to IZ’s songs are also more incisive, such as “Your Destination…”, a song that warns of perils to the soul.
 In recent years, IZ has found increasing opportunities to play internationally. Collaborating with American banjo master Béla Fleck and with Kazakh Swiss improvisational vocalist Saadet Türköz, and a series of European tours have expanded IZ’s view. At WOMAD UK in 2009, they sold more CDs at their show than any other band.
 Despite all this, Mamer’s life has not changed much. He still lives in Urumqi. He still returns frequently to the grasslands and mountains of the Kazakhs of that region, where he finds peace. Mamer says, only in this way can he continue on with a sound that is truly his own.
http://v.ku6.com/show/kZCrMknFAMFf0cl4.html
10月4日 周二 第一场20:00-21:00
LOGIC Australia
Glenn Cannon, Guitar吉他
Tim Wilson, Saxophone 萨克斯
Ben Vanderwal, Drums 鼓
Dane Alderson, Bass 低音吉他
Basically classic sax-centric and backed by a fusion guitar, modern and very melodic bass playing and rock-steady yet colorful druming, this Melbourne based quartet has been presenting us with their thoroughly enjoyable version of jazz/fusion/world music since their inception in 1999.
The compositions of Glenn Cannon and Tim Wilson stem from diverse musical influences, including jazz, drum ‘n’ bass, Latin, classical, folk and pop music. This ensemble has supported international acts such as The Yellowjackets, and has performed throughout Australia and South East Asia at major jazz festivals including the Java Jazz Festival (Indonesia), Mosaic Music Festival (Singapore), Melbourne International Festival of Jazz, Electric Jazz Festival and the Ultimate Drummers’ Weekend.
Between them, they have toured, performed and recorded with various artists and ensembles including Ray Charles, Incognito, Jerry Lewis, Hugh Jackman, Michael Buble’,James Morrison, Melbourne Symphony Orchestra,Oliva Newton John,Human Nature, Mike Nock, and Bobby Shew.
由吉他手Glenn Cannon以及萨克斯手Tim Wilson组成的Logic乐队，自1999年起已在澳洲乐坛上激起巨浪。Logic希望既能发挥其现代感的声音，又能保留爵士乐互动自发的传统。乐曲创作的灵感广阔，包括爵士,拉丁民谣,古典以及流行音乐。
Logic 2002年的首张同名专辑获得如潮好评。此后还推出了《The Waiting Game》和《Native Strut》。乐队曾在印尼 新加坡 墨尔本等地的爵士音乐表演节中演出。曾与乐队成员合作过的艺人包括有Ray Charles ,Michael Buble等等.
http://www.hkijf.com/zh/2011-07-06-17-31-12/143-logic-australia-chi
10月4日 周二 第二场21:30-22:30
Girls in Airports Denmark丹麦
Martin Stender, Tenor & Soprano Sax 高音及次中音萨克斯
Lars Greve, Soprano, Alto, Tenor, Baritone Sax & Clarinet 中音 次中音及上低音萨克斯 单簧管
Victor Dybbroe, Percussions 敲击乐
Mathias Holm, Keyboards 键盘
Mads Forsby, Drums 鼓
Girls in Airports is made up of five male musicians, who mix indie-soul, world, afrobeat and Indian raga with cool Scandinavian tones. With their line-up of two horns, keyboards, drum and percussions ensures a free flowing form that can be both dynamic and forceful without being locked too tight in a groove. This young instrumental band received excellent reviews and aslo won a Danish Music-Award for the Best Jazz Crossover CD release. Their music captures the moment through their steamy rhythm, droning saxophones and a contagious energy that allows the music to just be.
Girls in Airports由五位男子乐手组成，他们善于融合各种音乐风格，包括独立灵魂乐 世界音乐 非常舞蹈旋律 印度拉格以及冷峻的北欧曲调，组合中各种乐器配合自如，带出强力动感的音乐。这个年轻的组合广受好评，获得丹麦音乐奖之“最佳跨界爵士乐专辑”。
http://www.hkijf.com/zh/2011-07-06-17-31-12/156-girls-in-airports-demark-chi
10月13日 周四 20:00-21:00
Eddie Gomez爵士五重奏乐团
Eddie Gomez 贝斯手 （美国）
Teriver Cheung 吉他手 （香港）
李晓川Li Xiaochuan 小号手 （中国）
Stefan Karlsson 钢琴（美国）
Billy Drummond 鼓手（美国）
http://www.tudou.com/programs/view/clEtDetNWMw/
传奇低音大提琴手Eddie Gomez在乐坛活跃的时间已经超过了40年，这位拉丁格莱美奖得主的音乐履历让人印象非常深刻，曾与他合作过的爵士音乐大师包括Miles Davis、Dizzy Gillespie、Bill Evans、Gerry Mulligan以及Benny Goodman等。他在世界各地参予录制的唱片更是多达数百张，演奏风格涵盖了爵士乐，古典，拉丁爵士，节奏蓝调，流行与当代音乐等等。
1966年，在Eddie Gomez年仅21岁的时候，他作为低音大提琴手加入了Bill Evans（世界爵士乐史上最优秀的钢琴演奏家之一）爵士三重奏乐团，并一炮成名。美国《时代周刊》在为其在乐团的第一张唱片报道时评价道：“Eddie Gomez在他的琴弦上拥有了全世界。”
加入Bill Evans爵士三重奏乐团可以说是Eddie Gomez在音乐事业上的一个巨大转折点，他从此在爵士乐界受到了许多瞩目。在乐团的11年间，Eddie起到了不可或缺的重要作用。此间他的演奏生涯有了非常广阔的发展和成长，其中包括随乐团到全世界各地巡演以及录制了数十张爵士乐唱片——其中2张曾获得格莱美奖。同时他开始了与爵士大师Miles Davis的合作，在Miles Davis爵士四重奏乐团演奏期间，也曾与Wayne Shorter、Herbie Hancock、Tony Williams等爵士乐手合作演出。
Legendary bassist EDDIE GOMEZ has been on the cutting edge of music for over four decades. The Latin GRAMMY® award-winner’s impressive resumé includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Eddie’s unique sound and style can be heard on hundreds of recordings spanning the worlds of jazz, classical, Latin jazz, rhythm & blues, popular and contemporary music.
Joining the Bill Evans Trio was indeed a turning point in Eddie’s career. He had arrived in a big way and the jazz community took notice. For 11 years, Eddie played an integral role in the Bill Evans Trio’s sound and evolution. This period of vast artistic growth with Bill Evans included performances throughout the United States, Europe, South America and Asia, as well as dozens of recordings – two of which won GRAMMY® awards. During this time, Eddie also realized another dream performing on many occasions with the great Miles Davis, in the Davis quintet that also featured Wayne Shorter, Herbie Hancock and Tony Williams.
10月15日 周六 20 :00-21 :00
Cedric Hanriot爵士三重奏
Cedric Hanriot: PIANO钢琴
Bertrand Beruard: DOUBLE BASS and BASS GUITAR 低音大提琴以及低音吉他
Jean Baptiste Pinet: DRUMS 鼓
Mr HANRIOT holds a Masters Degree in Electronic Engineering and Audio Signal Processing from the University of Nancy, France and a Degree in Professional Music from Berklee College of Music, Boston (USA).
Mr. Hanriot would generally be considered a latecomer to the world of music. After earning his Master’s Degree in Electronics & Digital Audio Processing at the age of 21, his life took an unexpected turn as he sat at the piano for the first time in his life. Then at this late age - 21 years of age, he started studying music and playing the piano.Within only a few years, Fulbright recipient, French pianist pianist, composer, producer and arranger Cedric HANRIOT has performed and recorded with luminaries such as drummer Terri Lyne CARRINGTON (Stevie WONDER, Herbie HANCOCK), bass player John PATITUCCI (STING, Wayne SHORTER), bass player/singer Me’shell NDEGEOCELLO, drummer Cindy BLACKMAN (Lenny KRAVITZ), saxophonist Joe LOVANO, Grammy Awards winning singer DeeDee BRIDGEWATER to name a few.
Cedric HANRIOT has appeared at many prestigious performance venues worldwide including The Iridium New York (USA), the Vancouver International Jazz Festival (Canada), the Tanglewood International Jazz Festival (USA), the Universal Exposition 2010 (Shanghai, China) and the Jazz a Vienne Festival (F). Mr HANRIOT has also appeared at La Defense Jazz Festival Paris (F), Transe-Atlantique Festival (Morocco), at the famous NPR radio Talk Show “Says you” and the Victoria Jazz Festival (Canada).
http://www.myspace.com/cedrichanriot/music/songs
法国爵士钢琴演奏家兼作曲家Cédric Hanriot系美国伯克利音乐学院毕业的高材生，欧洲亚维侬爵士节的获奖者，并曾获Enghien lesBains爵士比赛二等奖。他才华洋溢，他绝妙的即兴技巧以及天赋异禀式的才能由其指间流淌出的音符而展 露无疑。其乐队创作的风格多样，摇摆乐、非洲音乐、拉丁乐、jungle、groove都是其涉及的音 乐类型。曾经与众多爵士大师们合作，其中包括迪迪·布赖特沃特 , 乔·洛瓦罗以及辛迪·布莱克曼。在《法兰西故事》这张专辑里，他用爵士的节奏风格演绎了许多法国经典香颂（布莱尔，甘斯布，皮亚芙）以及许多其他原创音乐。