(那)Dark cabaret又是什么?[转自deathrock组]
出自:http://en.wikipedia.org/wiki/Dark_cabaret
维基百科-黑暗卡巴莱
Dark cabaret is a music genre that blends the aesthetics of the decadent, risqué German Weimar-era cabarets and 1920s burlesque and vaudeville shows with the morbid, gloomy stylings of post-1970s-goth culture, gothic rock, punk, deathrock, and darkwave music. Dark cabaret music usually features passionate, deep female or male vocals, in a style influenced by Marlene Dietrich's singing or the singing in a Kurt Weill operetta. The vocals are usually accompanied by a sparse piano accompaniment, along with strings (cello or violin) and other instruments such as the accordion or trumpet. Influential Dark Cabaret artists include Klaus Nomi, Rozz Williams, The Dresden Dolls, Tiger Lillies and Voltaire.
黑暗卡巴莱是一种混合了堕落,有伤风化的德国魏玛时期卡巴莱和20年代滑稽戏音乐厅表演以及黑暗病态的后70年代哥特文化,哥特摇滚,朋克,死亡摇滚和暗潮音乐风格的音乐流派.黑暗卡巴莱通常表现在激情的,深沉的女性或男性主音,Marlene Dietrich的演唱或是Kurt Weill轻歌剧的演唱风.主音通常被零星的钢琴伴奏,一起的还有弦乐(大提琴或是小提琴)以及其他乐器像是手风琴或小号.有影响的黑暗卡巴莱艺术家包括Klaus Nomi,Rozz Williams,The Dresden Dolls,Tiger Lillies和Voltaire.
History of dark cabaret
黑暗卡巴莱的历史
Origins: 1970s and 1980s
起源:20世纪70年代和80年代
Nico's 1974 album The End is an example of early dark cabaret, especially in songs such as "You Forgot To Answer" and "Secret Side". Other contributors to the 1970s early dark cabaret sound were Klaus Nomi, Soft Cell, Kate Bush, Lene Lovich, and The Virgin Prunes.
Nico1974年专辑The End是早期黑暗卡巴莱的一个例子,尤其在歌曲’你忘记答复’和’隐秘的一边’中表现.其他对70年代早期黑暗卡巴莱之声作出贡献的有Klaus Nomi,Soft Cell,Kate Bush,Lene Lovich和The Virgin Prunes.
Nina Hagen's punk opera style, and Lydia Lunch's 1980 album, Queen of Siam contributed to the dark cabaret sound. In 1985 the Swiss darkwave group The Vyllies released the dark cabaret song The Food Prayer on their album Lilith. The British rock band Siouxsie and the Banshees also made a contribution to dark cabaret's style with the song Peek-a-Boo from the 1988 album Peepshow. Peek-a-Boo's video-clip is a vaudevillian, schizophrenic and scary puzzle. The Sex Gang Children were also a noticeable impact, with Andi Sexgang's high pitched vocals and heavy cabaret influence.
Nina Hagen的朋克歌剧风格,和Lydia Lunch1980的专辑,Queen of Siam帮助发展了黑暗卡巴莱之声.1985年瑞士暗潮组合The Vyllies在专辑Lilith发行了黑暗卡巴莱歌曲The Food Prayer.英国摇滚乐队Siouxsie and the Banshees同样以1988年专辑Peepshow的歌曲Peek-a-Boo对黑暗卡巴莱风格作出了贡献.Peek-a-Boo的视频片段是一个滑稽演员,精神分裂且可怕的谜语.Sex Gang Children也是一个值得注意的影响,以Andi Sexgang的高度倾斜的嗓音和重度的卡巴莱影响.
1990s
20实际90年代
Seattle-based art rock band Salon Betty contributed to the genre in 1994, with their single "Last Cigarette" and their album, The Big Hair Sex Circus, released on iMusic. In the same year, the German darkwave group Ghosting released the track Let Me Stay on their album "Songs from Fairyland". In 1995, Rozz Williams, the former lead singer of Christian Death, took the style in a darker direction on the Triple X Records release Dream Home Heartache in collaboration with fellow Christian Death alumna Gitane Demone. The first recorded usage of the term "Dark Cabaret" was in a description of this album in a late 1990s mail-order catalog from Projekt: Darkwave.
西雅图艺术摇滚乐队Salon Betty在1994对这个流派作出贡献,他们的单曲’最后的香烟’和他们的专辑,The Big Hair Sex Circus,在iMusic上发行.同年,德国暗潮组合Ghosting在专辑’仙界之歌’中发行曲目Let Me Stay.1995年,Rozz Williams,Christian Death的前主唱,与后来Christian Death的女同事Gitane Demone在Triple X Records合作发行的Dream Home Heartache将这一流派带向更阴暗的方向.第一次被记录的对概念’黑暗卡巴莱’的使用是在90年代晚期Projekt:Darkwave对这张专辑邮购目录时的形容.
Several songs by British goth outfit Sex Gang Children, such as "Christian Circus Joe", "Arms of Cicero", and the jazzier "Psychic Sarah" fused the cabaret style with a post-punk art-goth sound. In 1997 Rozz Williams and Eva O, recording as Shadow Project, released the album From the Heart, which included the cabaret-styled songs "Lying Deep" and "Bitter Man".
英国哥特组合Sex Gang Children的一些歌曲,像是’基督广场乔’,’西塞罗的手臂’,以及爵士化的’通灵萨拉’融合了卡巴莱风格和一种后朋克艺术哥特之声.1997年Rozz Williams和Eva O,以Shadow Project之名录制发行了唱片From the Heart,其中包括了卡巴莱风格的歌曲’Lying Deep’和’苦人’.
The burlesque orchestra Apartment helped to pioneer the queer dark cabaret movement in Chicago. Founded in 1997 by arranger/vocalist Christine Heinisch and lyricist/vocalist Caila Lipovsky, the schizoid and absurdist lyrics combined with the off-kilter, circus-like arrangements to create a theatrical and melodramatic performance. The band played in the art-punk and burlesque scenes of Chicago's northside for several years.
滑稽管弦乐队Apartment帮助开创了芝加哥的娘娘腔黑暗卡巴莱运动.1997年被主唱/组织者Christine Heinisch和词作者/主唱Caila Lipovsky创建,精神分裂且荒诞的歌词混合了脱苏格兰裙,马戏团一样的安排,创立了一种戏剧化,夸大式的表演.这个乐队在芝加哥北部艺术朋克和滑稽戏圈子中表演了若干年.
Following her 1996 debut solo album Quintessentially Unreal, San Francisco-based singer/pianist Jill Tracy released her second CD, Diabolical Streak, in 1999. Diabolical Streak garnered two California Music Awards nominations as well as the SIBL international Grand Prize for songwriting. Canada's Shift magazine called the album one of the "Top 10 Neo-Cabaret albums of all time."
跟随她1996年独奏首专Quintessentially Unreal,旧金山歌手/钢琴师Jill Tracy发行了她的第二张CD,Diabolical Streak,1999年.Diabolical Streak得到了两个加利福尼亚音乐奖提名还有SIBL国际大奖的歌曲创作.加拿大的Shift杂志称此专辑为’永远的十佳新卡巴莱专辑’之一.
2000s
2000年后
San Francisco's Rosin Coven created theatrically-styled cabaret with macabre tunes, a goth atmosphere, and bizarre performances with Jill Tracy and other musicians at the annual Edwardian Ball, which was held in memory of Edward Gorey.
旧金山的Rosin Coven与Jill Tracy及其他音乐家一起,在年度纪念Edward Gorey的Edwardian活动中创立了带死亡恐怖调子,哥特氛围的戏剧化风格卡巴莱.
Nicki Jaine (album Of Pigeons and Other Curiosities and single "Revue Noir", her collaboration with chief of Projekt label Sam Rosenthal) and Amoree Lovell (especially in demo songs "Dark Town Sally" and "High Maintenance/Low Tolerance") are also examples of the genre.
Nicki Jaine(Of Pigeons and Other Curiosities专辑与单曲’黑色数字时事讽刺剧’,她与Project厂牌首领Sam Rosenthal的合作)和Amoree Lovell(尤其是在试行歌曲’黑暗小镇萨丽’和’高度维护/低度忍受’)也是这种流派的例子.
Bricktop's at the Parlour was a Los Angeles club in the mid 2000s that featured many dark cabaret acts and performance artists including The Ditty Bops, Cabinet of Curiosities, Jill Tracy and Janet Klein. The walls of the Parlour Club were painted by artists Dame Darcy and Anthony Sunseri.
Bricktop’s at the Parlour是个以众多黑暗卡巴莱表演和艺术家为特征的新千年中期洛杉矶俱乐部,这些艺术家包括The Ditty Bops,Cabinet of Curiosities,Jill Tracy和Janet Klein.Parlour俱乐部的墙上被涂画上艺术家Dame Darcy和Anthony Sunseri.
London cabaret act the Tiger Lillies have implemented dark themes and imagery, but do not typically convey a "dark sound." Nonetheless, A Gorey End, their 2003 release featuring the Kronos Quartet and posthumous lyrical contributions from Edward Gorey, helped to create of the genre by earning a Grammy nomination.
伦敦卡巴莱表演Tiger Lillies使用了黑暗主题和形象,但并不典型地传递一种’黑暗声音’.但是,A Gorey End,他们2003年和Kronos Quartet合作,Edward Gorey死后发行的歌词创作,帮助创立了一种得到格莱美提名的流派.
In 2000 Lexicon Magazine, in a review of Voltaire's Almost Human CD, used the descriptive term "goth cabaret".
In 2003 the Japanese Visual Kei band Marry+An+Blood released their album Bloody Valentine: I Love You which includes their caberet tinged rock song Dearest of Darkness. Future albums released include similar tracks. They have been incorporated in to their lives (Japanese concerts), sometimes complete with 1930's seedy Berlin club atmosphere and S.S. regalia.
2000年Lexicon Magazine,在对Voltaire的Almost HumanCD评审中,使用了形容概念’哥特卡巴莱’.
2003年日本视觉系乐队Marry+An+Blood发行了他们的专辑Bloody Valentine: I Love You包括了他们的有些许卡巴莱色调的摇滚歌曲Dearest of Darkness.以后的专辑发行包括了类似的曲目.他们被包含在他们的现场演出中(日本演唱会),有时加入了30年代肮脏的柏林俱乐部氛围和S.S.装束.
In 2006 Italian neoclassic band Ataraxia records new album "Paris Spleen", strongly inspired by french chanson and cabaret influences with their traditional dark sound. Madame Bistouri and CircuZ KumP drama company collaborated to the recording and staging of this project. In 2006, Italians Spiritual Front crossed bounds of their "suicidal pop" on album "Armageddon Gigolo" to cabaret sound mixed with Dark/Apocalyptic folk.
2006年意大利新古典乐队Ataraxia录制了新专集’巴黎的脾’,灵感强烈来自法国香颂和卡巴莱影响,并加入他们自己的黑暗之声.Madame Bistouri和CircuZ KumP戏剧公司在录制和表演中参与合作.2006年意大利Spiritual Front在他们的专辑’末日决战的舞男’的’自杀流行歌曲’跨界到卡巴莱并混合了黑暗/启示录民谣.
Another Italian martial/dark folk band Ianva records in 2005 mini-cd "la ballata dell' ardito" with cabaretish songs and cover version of Jacques Brel's "Amsterdam". In 2006 Ianva releases the full length "Disobbedisco!", with many other cabaretish songs (see "Tango della Menade"). Italian dark folk band Calle Della Morte used cabaret and chanson elements on "Tardo Autunno" (2003) (especially on tracks "Tardo Autunno" and "Ballerino Di Tango Si Uccide") and on "Gente Di Malaffare" (2005) too.
另一支意大利军事/黑暗民谣乐队Ianva在2005年录制的迷你CD’la ballata dell’ ardito’以及卡巴莱的歌曲和翻唱Jacques Brel的’阿姆斯特丹’.2006年Ianva发行了完整的’Disobbedisco!’,和其他许多卡巴莱歌曲(参见’Tango della Menade’).意大利黑暗民谣乐队Calle Della Morte在’Tardo Autunno’(2003) (尤其在曲目’Tardo Autunno’和’Ballerino Di Tango Si Uccide’中)和’Gente Di Malaffare’(2005) 中使用了卡巴莱和chanson元素.
The Dresden Dolls have garnered mainstream attention. In, September 2005, Projekt Records released a compilation called A Dark Cabaret featuring songs such as "Coin-Operated Boy" by The Dresden Dolls, "Evil Night Together" by Jill Tracy, "Simon's Sleeping" by Pretty Balanced, and "Flowers" by the late Rozz Williams. The Dresden Dolls also appeared in "The Onion Cellar", a dark Cabaret musical production. The show opened and closed in Boston. World/Inferno Friendship Society is also a cabaret band.
The Dresden Dolls得到了主流注意.2005年9月,Projekt Records发行了选集A Dark Cabaret包含了歌曲像The Dresden Dolls的’硬币驱使男孩’,Jill Tracy的’邪恶夜晚一起’,Pretty Balanced的’西蒙的睡眠’,以及后期Rozz Williams的’花’.The Dresden Dolls同样出现在了’洋葱地窖’中,一部黑暗卡巴莱音乐制作.表演开始和结束于波士顿.World/Inferno Friendship Society也是一支卡巴莱乐队.
Since the genre began attracting mainstream attention, other DIY dark cabaret acts have appeared from across the globe, such as the UK based Mister Joe Black and the Carnival and California underground acts like Oakland based band Vermillion Lies and Los Angeles locals Harlequin Jones.
The Tenth Stage, an Australian band, have been creating Dark Cabaret since 2006. Their main focus is on the darkside of human nature, and the music is representative of the Dark Cabaret genre. It includes many acoustic elements and traditional instrumentation, alongside the more comtemporary synthetic sounds.
自从这种流派开始吸引主流注意,其他DIY的黑暗卡巴莱演出开始在全球出现,像是英国的Mister Joe Black和狂欢加州地下演出团体比如奥克兰乐队Vermillion Lies和洛杉矶当地的Harlequin Jones.
The Tenth Stage,一支澳洲乐队,从2006年开始创建黑暗卡巴莱.他们的主要关注点在于人性的黑暗面,音乐也是很典型的黑暗卡巴莱流派.它包含了很多原声因素和传统乐器伴奏,与此同时也有更多当代的合成器的声音.
Related genres
相关流派
The term "Dark cabaret" is applied to a wide range of bands who may also fall into genres such as Punk Cabaret, Gothic-Americana, Punk opera, Neo-burlesque, Gothic Ragtime, Vaudeville, Apocalyptic folk, Neo-folk, Psych folk and others. The genre crossovers and blending can make it difficult to define the genre of dark-cabaret-influenced bands.
‘黑暗卡巴莱’被应用形容到一众风格的乐队,像朋克卡巴莱,美式哥特,朋克歌剧,新滑稽戏,哥特雷格泰姆,音乐厅,启示录民谣,新民谣,心灵民谣以及其他.这个概念与其他交汇融合以致很难定义黑暗卡巴莱影响的乐队.
As the modern Deathrock movement has moved further away from its roots into electronic territory, some bands from the Deathrock movement such as the Deadfly Ensemble (Lucas Lanthier of Cinema Strange’s solo-project) have used the cabaret style. In 1999 Cinema Strange appears on "Goth Oddity: A Tribute To David Bowie" with "Time" - track with the cabaret-style piano lines.
随着现代死亡摇滚运动自其根源越发转移到电子领域,一些死亡摇滚运动的乐队,像Deadfly Ensemble(Cinema Strange的Lucas Lanthier的单飞项目)就使用过卡巴莱风.1999年,Cinema Strange的’时间’出现在了’哥特怪人:像David Bowie的致敬’中,这即是一首卡巴莱风的钢琴曲.
Katzenjammer Kabarett who once referred to themselves as "deathrock cabaret", (which Two Ton Boa also belong), are other examples. Recently Katzenjammer began referring to themselves as "post-punk cabaret", in recognition of their widely varying influences.
Katzenjammer Kabarett,曾经自称为’死亡摇滚卡巴莱’(Two Ton Boa也属于这一范畴),是另一个例子.最近Katzenjammer开始自称为’后朋克卡巴莱’,以此可以看出他们广泛的影响源头.
Deathrock band Deadchovsky on album "Decadence Revolution" (2004) used cabaret elements, especially on track "Le Sandwichier Glauque De Montmartre". Xyra & Verborgen created in 1998 new music genre classificated as "Cabaret Rock Nouveau - Goth Art Rock". Schizowave formed by Russian-born singer and a classically trained piano player Lena Potapova in early 2004 created own dark sound, inspired by cabaret, jazz and theatre.
死亡摇滚乐队Deadchovsky在专辑’堕落的革命’(2004)中使用了卡巴莱元素,尤其是在曲目’Le Sandwichier Glauque De Montmartre’中.Xyra&Verborgen在1998年创建了新的音乐类型’卡巴莱摇滚新式哥特艺术摇滚’.俄罗斯出生的歌手被受过古典钢琴训练的乐手Lena Potapova在2004早期创立的Schizowave制造出独特的阴暗声音,灵感来自卡巴莱,爵士和剧院.
In 2008 the synthpop-junk projekt shemale ZERO released the song "Paramour", which allegorizes a unique mix of 8bit-punk and dark cabaret.
Blues infused dark cabaret band Harlequin Jones even beg the question if blues cabaret will become yet another amalgamation fitting of the variations of dark cabaret.
在2008年合成器流行-垃圾项目shemale ZERO发行了歌曲’Paramour’,喻示了一种8比特-朋克和黑暗卡巴莱独特的混合.
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