监狱剧Seven Days进入后期制作阶段

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这个形象……演个毒贩也不要这样啊……
prison drama本来听着还挺遐想的。。。。（喂！

4242，他这样看起来特敦厚= =，本来老期待会是第二个paul了，估计年纪大了⋯⋯

难道真的是拍了5年？有空就去导演家遛一圈顺便拍点？……不知道脸会不会有变化……

PS 小站的相册容量有限制吗

不是很确定啊，拍了五年没道理消息这么少啊，但他的确是这么说的，还什么里面的孩子有长大很多，变样了啊啥啥的

貌似么有，满了在建一个呗

肯定又是演苦逼。。。

苦逼,为什么啊,为什么.
S姐的人和嗓音有剥离啊.

The peripatetic Michael Winterbottom proves once again that he can find a style to suit any subject. Commissioned by Channel 4 to make a film on the prison system, Winterbottom decided to employ a unique, almost documentary-style mode of production, shooting over a five-year period with a mix of professionals and non-professionals to document not only the life of an inmate but also, just as importantly, the passage of time, which takes on a different dimension for those behind bars. Because the film’s protagonist, Ian (John Simm), has four pre-teen children, the long shooting period was also used to realistically observe his family as they grew up over the course of his imprisonment. Everyday is the result: another engrossing film from this restless director.

The film feels spontaneous, alive and full of off-the-cuff moments. Ian’s wife, Karen (Shirley Henderson), is a reedy slip of a mother, who has to juggle the demands of getting four youngsters dressed, fed, and off to school every day and serving beer in a pub to support them, all the while trying to visit her husband as often as possible, which involves a lengthy train ride. Often towing a couple of the children along with her, she and Ian grab as many private moments as they can under the watchful eyes of the guards. Ian is allowed out on day passes as he gets closer to release, which means the family can do the things so long denied them: walk and play in parks, kick a football around, grab meals together. But Winterbottom is careful to balance this with the sheer grind that both adults must contend with, as well as the temptations that spring up along the way.

These developments are detailed in the most sensitive manner, and evolve naturally out of the narrative. Winterbottom is exceptional at capturing the rhythms and textures of daily life, as lived both behind bars and in freedom. Tension is everywhere, but so are respites of love and tenderness. And then, finally, Ian is released — but even though he has seen his wife and children over the years, will he be able to pick up where he left off? Winterbottom’s understated filmmaking gives Everyday a potent, quiet punch.

好像是10月还是11月放？

咦上次看到消息还说是九月十月。。。