专题 | 欧美动画:电影、文化与产业
陈昉昊、陈莹/ 整理
Girveau, Bruno. Once Upon a Time: The Sources of Inspiration for the Disney Studios (Munich: Prestel, 2007).
迪士尼迷们通过本书可了解到在睡美人和白雪公主背后的童话故事。通过阅读本书,他们能够了解到匹诺曹的村庄原型是中世纪城市罗腾堡,小鹿斑比的森林灵感取自于15世纪中国画,小飞象的鸟瞰视角来自于Grant Wood 与Thomas Hart Benton作品。最后,本书以多种方法展示了迪士尼作品是如何成为现当代艺术家的灵感来源的。
Here Disney fans will discover the fairy tales behind Sleeping Beauty and Snow White; they’ll learn that Pinocchio’s village was modeled on the medieval city of Rothenburg in Bavaria; that Bambi’s forest took its inspiration from fifteenth-century Chinese painting; that Dumbo’s bird’s-eye views drew on the work of Grant Wood and Thomas Hart Benton. Finally, the book looks at the myriad ways in which Disney’s products became source materials for modern and contemporary artists, including Prokofiev and Léopold Stokowski as well as Christian Boltanski, Bertrand Lavier, Peter Saul, and Gary Baseman. A wonderful sourcebook for Disney enthusiasts, this colorful volume offers a unique perspective on the often-overlooked links between highbrow and popular culture.
作者 Bruno Girveau 是法国建筑史学家
Historien de l’architecture de spécialité, diplômé de l’École nationale du patrimoine, Bruno Girveau a été conservateur au musée d’Orsay pourle fonds d’architecture de 1996 à 2002, et conseiller pour la série documentaire Architectures pendant la même période. Il est ensuite chef dudépartement du développement scientifique et culturel de l’École nationale supérieure des beaux-arts1 avant de prendre la direction du Palais desbeaux-arts de Lille à partir de mars 2013.
Auteur de nombreux ouvrages, Bruno Girveau a été lecommissaire de plusieurs expositions, responsible « « A table au XIXe siècle »au musée d’Orsay (2002), de « Il était une fois Walt Disney. Aux sources del’art des studios Disney », au Grand Palais, à Montréal, Munich et Helsinki (2006-2008) ainsi que de « Charles Garnier, un architecte pour un empire » àEcole nationale supérieure des beaux-arts de Paris en 2010. Collectionneur dejouets, il est également, avec Dorothée Charles, responsible de l’exposition «Des jouets et des hommes », au Grand Palais (2011), puis à Helsinki (2012).
链接
https://www.amazon.com/Once-Upon-Time-Sources-Inspiration/dp/379133770X
Booker, Marvin Keith. Disney, Pixar, and the Hidden Messages of Children’s Films (Santa Barbara, CA: Praeger, 2009).
本书通过研究美国儿童电影来分析这些电影中的政治寓意,并且分析这些面向儿童的电影是如何充满丰富含义的。
This work is a wide-ranging survey of American children’s film that provides detailed analysis of the political implications of these films, as well as a discussion of how movies intended for children have come to be so persistently charged with meaning.
• Provides chapter-by-chapter coverage of films from different studios, including two chapters on Disney, one on Pixar, and one on films from other studios (with a special focus on Dreamworks)
• Offers bibliographical listings of both printed works cited and films cited in the text
• Includes a comprehensive index
目录
作者 M. Keith Booker,美国阿肯色大学英文系教授、比较文学与文化研究项目主任。他已经出版了多部关于现代文学、流行文化、文学理论的专著。
M. Keith Booker is the James E. and Ellen Wadley Roper Professor of English and director of the program in comparative literature and cultural studies at the University of Arkansas, Fayetteville. He is the author of numerous books on literature and popular culture.
链接
https://www.abc-clio.com/ABC-CLIOCorporate/product.aspx?pc=C5831C
King, Richard, Carmen Lugo-Lugo and Mary Bloodsworth-Lugo. Animating Difference: Race, Gender, and Sexuality in Contemporary Films for Children (Lanham: Rowman and Little field, 2010).
本书研究种族、族群、性向、以及性别在1990年至今的动画片中的呈现。从《阿拉丁》到《玩具总动员》再到《飞屋环游记》,这些大众电影成为了儿童(以及成人)认识世界并且规范行为的重要媒介。虽然在过去的几十年间,种族以及性别的刻板印象可能在电影中并不像过去几十年那么明显,这些电影依然以微妙并且令人惊讶的方式传递令人不安的信息与刻板印象。
Animating Difference studies the way race, ethnicity, sexuality, and gender are portrayed in recent animated films from 1990 through the present. Ranging from Aladdin to Toy Story to Up, these popular films are key media through which children (and adults) learn about the world and how to behave. While racial and gender stereotypes may not be as obvious as they may have been in films of decades past, they often continue to convey troubling messages and stereotypes in subtle and surprising ways.
目录
Introduction
Chapter 1 “A Whole New World”: Animated Films in an Unsettled and Interconnected World
Chapter 2 “Look Out New World, Here We Come”?: Racial and Sexual Pedagogies
Chapter 3 Colonial Claims: Indigenous People, Empire, and Naturalization
Chapter 4 Other(ed) Latinidades: Animated Representations of [Latino] Ethnicity and Nation
Chapter 5 Beyond Snow White: Femininity and Constructions of Citizenship
Chapter 6 Negotiating “Difference”: The Racial Politics of Transgressive Sexualities/Families
Chapter 7 Screening Resistance: Commodity Racism and Political Consumerism
Conclusion
Bibliography
作者 C. Richard King是美国华盛顿州立大学比较种族研究教授。
C. Richard King is professor of comparative ethnic studies and chair of the department at Washington State University. He is the author of several books, including Team Sprits (2001 CHOICE Outstanding Award Winner) andBeyond the Cheers. Carmen R. Lugo-Lugo is associate professor of comparative ethnic studies at Washington State University and the author of a number of articles on the representation of Latinos and other marginalized groups in contemporary popular culture. Mary K. Bloodsworth-Lugo is professor of comparative ethnic studies at Washington State University and the author of In-Between Bodies and a number of articles on sexuality and popular culture.
链接
https://rowman.com/ISBN/9781442201958/Animating-Difference-Race-Gender-and-Sexuality-in-Contemporary-Films-for-Children
Annett, Sandra. Anime Fan Communities: Transcultural Flows and Frictions (Palgrave Macmillan, 2014).
日本、韩国、美国与加拿大的动画迷们如何形成社群,跨越文化与地理的距离展开交流呢?本书追溯动画影迷的历史,从早期电影观众,到上世纪中叶的儿童卡通迷俱乐部,再发展到当今的互联网跨文化影迷文化。
How have animation fans in Japan, South Korea, the United States, and Canada formed communities and dealt with conflicts across cultural and geographic distance? This book traces animation fandom from its roots in early cinema audiences, through mid-century children's cartoon fan clubs, to today's digitally-networked transcultural fan cultures.
目录
作者是加拿大威尔弗里德·劳雷尔大学英文系与电影研究副教授。
Sandra Annett isAssociate Professor in the Department of English and Film Studies at Wilfrid Laurier University, Canada.
链接
https://www.palgrave.com/la/book/9781137480651
Wills, John. Disney Culture (Rutgers University Press, 2017).
从一个小型美国动画公司成长到今日的全球媒体巨头,迪士尼是否还可能拥有一致的企业精神呢?本书指出,迪士尼公司在多样化的媒介产品背后,存在一以贯之的“迪士尼气质”,这一气质既与不断变化的社会风气相调适,同时深刻塑造了美国人看待世界的方式。本书不仅聚焦迪士尼动画与真人电影,还探索迪士尼的商业运作与文化神话编造的关联。
Over the past century, Disney has grown from a small American animation studio into a multipronged global media giant. Today, the company’s annual revenue exceeds the GDP of over 100 countries, and its portfolio has grown to include Pixar, Marvel, Lucasfilm, ABC, and ESPN. With a company so diversified, is it still possible to identify a coherentDisney vision or message?
Disney Culture proposes that there is still a unifying Disney ethos, one that can be traced back to the corporate philosophy that Walt Disney himself developed back in the 1920s. Yet, as cultural historian John Wills demonstrates, Disney’s values have also adapted to changing social climates. At the same time, the world of Disney has profoundly shaped how Americans view the world.
Wills offers a nuanced take on the corporate ideologies running through animated and live-action Disney movies from Frozen to Fantasia, from Mary Poppins to Star Wars: The Force Awakens. But Disney Culture encompasses much more than just movies as it explores the intersections between Disney’s business practices and its cultural mythmaking. Welcome to “the Disney Way.”
目录
Acknowledgments
Introduction
Chapter One: Making Disney Magic
Chapter Two: The World According to Disney
Chapter Three: Disney Dollars
Chapter Four: Disney Values
Further Reading
Works Cited
Index
作者是英国肯特大学的高级讲师。
JOHN WILLS is a senior lecturer in American history and the director of American Studies at the University of Kent in Canterbury, England. He is the author of Conservation Fallout: Nuclear Protest at Diablo Canyon, California and U.S. Environmental History: Inviting Doomsday.
链接
https://www.rutgersuniversitypress.org/disney-culture/9780813583327
Mollet, Tracey Louise. Cartoons in Hard Times: the Animated Shorts of Disney and Warner Brothers in Depression and War 1932-1945 (Bloomsbury Academic, 2017).
本书聚焦动画研究领域较少为人关注的主题——迪士尼与华纳兄弟在1932年至1945年出品的动画短片,分析动画作品如何介入这一时期的历史、社会、经济与政治变迁。此外,本书还追踪了动画从娱乐产品转型为宣传媒介的关键过程,具体表现为人物、风格、音乐与叙事。
Cartoons in Hard Times provides a comprehensive analysis of the short subject animation released by the Walt Disney and Warner Brothers from 1932 and 1945, one of the most turbulent periods in Unites States history. Through a combination of content analysis, historical understanding and archival research, this book sheds new light on a hitherto unexplored area of animation, suggesting the ways in which Disney and Warner Brothers animation engaged with historical, social, economic and political changes in this era.
The book also traces the development of animation into a medium fit for propaganda in 1941 and the changes in characters, tone, music and narrative that took place to facilitate this transition. Animation transformed in this era from a medium of entertainment, toa socio-political commentator before finally undertaking government sponsored propaganda during the Second World War.
作者是英国利兹大学的讲师。
Tracey Louise Mollet is a Lecturer in Media and Communication at the University of Leeds, UK.
目录
List of Figures
Acknowledgments
List of Abbreviations
1. The Storyboard So Far
2. The Roosevelt Honeymoon 1932-1934
3. Animating Depression America 1934-1937
4. International Relations in Animation1936-1941
5. Animated Nationalism 1937-1941
6. Animation at War: Disney, Warner Brothers and the United States Government 1941-1943
7. Animation at War: Disney, Warner Brothers and War-Time Entertainment 1941-1945
8. That’s All Folks
Works Cited
Filmography
链接
https://www.bloomsbury.com/uk/cartoons-in-hard-times-9781501328756/
Girveau, Bruno. Once Upon a Time: The Sources of Inspiration for the Disney Studios (Munich: Prestel, 2007).
迪士尼迷们通过本书可了解到在睡美人和白雪公主背后的童话故事。通过阅读本书,他们能够了解到匹诺曹的村庄原型是中世纪城市罗腾堡,小鹿斑比的森林灵感取自于15世纪中国画,小飞象的鸟瞰视角来自于Grant Wood 与Thomas Hart Benton作品。最后,本书以多种方法展示了迪士尼作品是如何成为现当代艺术家的灵感来源的。
Here Disney fans will discover the fairy tales behind Sleeping Beauty and Snow White; they’ll learn that Pinocchio’s village was modeled on the medieval city of Rothenburg in Bavaria; that Bambi’s forest took its inspiration from fifteenth-century Chinese painting; that Dumbo’s bird’s-eye views drew on the work of Grant Wood and Thomas Hart Benton. Finally, the book looks at the myriad ways in which Disney’s products became source materials for modern and contemporary artists, including Prokofiev and Léopold Stokowski as well as Christian Boltanski, Bertrand Lavier, Peter Saul, and Gary Baseman. A wonderful sourcebook for Disney enthusiasts, this colorful volume offers a unique perspective on the often-overlooked links between highbrow and popular culture.
作者 Bruno Girveau 是法国建筑史学家
Historien de l’architecture de spécialité, diplômé de l’École nationale du patrimoine, Bruno Girveau a été conservateur au musée d’Orsay pourle fonds d’architecture de 1996 à 2002, et conseiller pour la série documentaire Architectures pendant la même période. Il est ensuite chef dudépartement du développement scientifique et culturel de l’École nationale supérieure des beaux-arts1 avant de prendre la direction du Palais desbeaux-arts de Lille à partir de mars 2013.
Auteur de nombreux ouvrages, Bruno Girveau a été lecommissaire de plusieurs expositions, responsible « « A table au XIXe siècle »au musée d’Orsay (2002), de « Il était une fois Walt Disney. Aux sources del’art des studios Disney », au Grand Palais, à Montréal, Munich et Helsinki (2006-2008) ainsi que de « Charles Garnier, un architecte pour un empire » àEcole nationale supérieure des beaux-arts de Paris en 2010. Collectionneur dejouets, il est également, avec Dorothée Charles, responsible de l’exposition «Des jouets et des hommes », au Grand Palais (2011), puis à Helsinki (2012).
链接
https://www.amazon.com/Once-Upon-Time-Sources-Inspiration/dp/379133770X
Booker, Marvin Keith. Disney, Pixar, and the Hidden Messages of Children’s Films (Santa Barbara, CA: Praeger, 2009).
本书通过研究美国儿童电影来分析这些电影中的政治寓意,并且分析这些面向儿童的电影是如何充满丰富含义的。
This work is a wide-ranging survey of American children’s film that provides detailed analysis of the political implications of these films, as well as a discussion of how movies intended for children have come to be so persistently charged with meaning.
• Provides chapter-by-chapter coverage of films from different studios, including two chapters on Disney, one on Pixar, and one on films from other studios (with a special focus on Dreamworks)
• Offers bibliographical listings of both printed works cited and films cited in the text
• Includes a comprehensive index
目录
作者 M. Keith Booker,美国阿肯色大学英文系教授、比较文学与文化研究项目主任。他已经出版了多部关于现代文学、流行文化、文学理论的专著。
M. Keith Booker is the James E. and Ellen Wadley Roper Professor of English and director of the program in comparative literature and cultural studies at the University of Arkansas, Fayetteville. He is the author of numerous books on literature and popular culture.
链接
https://www.abc-clio.com/ABC-CLIOCorporate/product.aspx?pc=C5831C
King, Richard, Carmen Lugo-Lugo and Mary Bloodsworth-Lugo. Animating Difference: Race, Gender, and Sexuality in Contemporary Films for Children (Lanham: Rowman and Little field, 2010).
本书研究种族、族群、性向、以及性别在1990年至今的动画片中的呈现。从《阿拉丁》到《玩具总动员》再到《飞屋环游记》,这些大众电影成为了儿童(以及成人)认识世界并且规范行为的重要媒介。虽然在过去的几十年间,种族以及性别的刻板印象可能在电影中并不像过去几十年那么明显,这些电影依然以微妙并且令人惊讶的方式传递令人不安的信息与刻板印象。
Animating Difference studies the way race, ethnicity, sexuality, and gender are portrayed in recent animated films from 1990 through the present. Ranging from Aladdin to Toy Story to Up, these popular films are key media through which children (and adults) learn about the world and how to behave. While racial and gender stereotypes may not be as obvious as they may have been in films of decades past, they often continue to convey troubling messages and stereotypes in subtle and surprising ways.
目录
Introduction
Chapter 1 “A Whole New World”: Animated Films in an Unsettled and Interconnected World
Chapter 2 “Look Out New World, Here We Come”?: Racial and Sexual Pedagogies
Chapter 3 Colonial Claims: Indigenous People, Empire, and Naturalization
Chapter 4 Other(ed) Latinidades: Animated Representations of [Latino] Ethnicity and Nation
Chapter 5 Beyond Snow White: Femininity and Constructions of Citizenship
Chapter 6 Negotiating “Difference”: The Racial Politics of Transgressive Sexualities/Families
Chapter 7 Screening Resistance: Commodity Racism and Political Consumerism
Conclusion
Bibliography
作者 C. Richard King是美国华盛顿州立大学比较种族研究教授。
C. Richard King is professor of comparative ethnic studies and chair of the department at Washington State University. He is the author of several books, including Team Sprits (2001 CHOICE Outstanding Award Winner) andBeyond the Cheers. Carmen R. Lugo-Lugo is associate professor of comparative ethnic studies at Washington State University and the author of a number of articles on the representation of Latinos and other marginalized groups in contemporary popular culture. Mary K. Bloodsworth-Lugo is professor of comparative ethnic studies at Washington State University and the author of In-Between Bodies and a number of articles on sexuality and popular culture.
链接
https://rowman.com/ISBN/9781442201958/Animating-Difference-Race-Gender-and-Sexuality-in-Contemporary-Films-for-Children
Annett, Sandra. Anime Fan Communities: Transcultural Flows and Frictions (Palgrave Macmillan, 2014).
日本、韩国、美国与加拿大的动画迷们如何形成社群,跨越文化与地理的距离展开交流呢?本书追溯动画影迷的历史,从早期电影观众,到上世纪中叶的儿童卡通迷俱乐部,再发展到当今的互联网跨文化影迷文化。
How have animation fans in Japan, South Korea, the United States, and Canada formed communities and dealt with conflicts across cultural and geographic distance? This book traces animation fandom from its roots in early cinema audiences, through mid-century children's cartoon fan clubs, to today's digitally-networked transcultural fan cultures.
目录
作者是加拿大威尔弗里德·劳雷尔大学英文系与电影研究副教授。
Sandra Annett isAssociate Professor in the Department of English and Film Studies at Wilfrid Laurier University, Canada.
链接
https://www.palgrave.com/la/book/9781137480651
Wills, John. Disney Culture (Rutgers University Press, 2017).
从一个小型美国动画公司成长到今日的全球媒体巨头,迪士尼是否还可能拥有一致的企业精神呢?本书指出,迪士尼公司在多样化的媒介产品背后,存在一以贯之的“迪士尼气质”,这一气质既与不断变化的社会风气相调适,同时深刻塑造了美国人看待世界的方式。本书不仅聚焦迪士尼动画与真人电影,还探索迪士尼的商业运作与文化神话编造的关联。
Over the past century, Disney has grown from a small American animation studio into a multipronged global media giant. Today, the company’s annual revenue exceeds the GDP of over 100 countries, and its portfolio has grown to include Pixar, Marvel, Lucasfilm, ABC, and ESPN. With a company so diversified, is it still possible to identify a coherentDisney vision or message?
Disney Culture proposes that there is still a unifying Disney ethos, one that can be traced back to the corporate philosophy that Walt Disney himself developed back in the 1920s. Yet, as cultural historian John Wills demonstrates, Disney’s values have also adapted to changing social climates. At the same time, the world of Disney has profoundly shaped how Americans view the world.
Wills offers a nuanced take on the corporate ideologies running through animated and live-action Disney movies from Frozen to Fantasia, from Mary Poppins to Star Wars: The Force Awakens. But Disney Culture encompasses much more than just movies as it explores the intersections between Disney’s business practices and its cultural mythmaking. Welcome to “the Disney Way.”
目录
Acknowledgments
Introduction
Chapter One: Making Disney Magic
Chapter Two: The World According to Disney
Chapter Three: Disney Dollars
Chapter Four: Disney Values
Further Reading
Works Cited
Index
作者是英国肯特大学的高级讲师。
JOHN WILLS is a senior lecturer in American history and the director of American Studies at the University of Kent in Canterbury, England. He is the author of Conservation Fallout: Nuclear Protest at Diablo Canyon, California and U.S. Environmental History: Inviting Doomsday.
链接
https://www.rutgersuniversitypress.org/disney-culture/9780813583327
Mollet, Tracey Louise. Cartoons in Hard Times: the Animated Shorts of Disney and Warner Brothers in Depression and War 1932-1945 (Bloomsbury Academic, 2017).
本书聚焦动画研究领域较少为人关注的主题——迪士尼与华纳兄弟在1932年至1945年出品的动画短片,分析动画作品如何介入这一时期的历史、社会、经济与政治变迁。此外,本书还追踪了动画从娱乐产品转型为宣传媒介的关键过程,具体表现为人物、风格、音乐与叙事。
Cartoons in Hard Times provides a comprehensive analysis of the short subject animation released by the Walt Disney and Warner Brothers from 1932 and 1945, one of the most turbulent periods in Unites States history. Through a combination of content analysis, historical understanding and archival research, this book sheds new light on a hitherto unexplored area of animation, suggesting the ways in which Disney and Warner Brothers animation engaged with historical, social, economic and political changes in this era.
The book also traces the development of animation into a medium fit for propaganda in 1941 and the changes in characters, tone, music and narrative that took place to facilitate this transition. Animation transformed in this era from a medium of entertainment, toa socio-political commentator before finally undertaking government sponsored propaganda during the Second World War.
作者是英国利兹大学的讲师。
Tracey Louise Mollet is a Lecturer in Media and Communication at the University of Leeds, UK.
目录
List of Figures
Acknowledgments
List of Abbreviations
1. The Storyboard So Far
2. The Roosevelt Honeymoon 1932-1934
3. Animating Depression America 1934-1937
4. International Relations in Animation1936-1941
5. Animated Nationalism 1937-1941
6. Animation at War: Disney, Warner Brothers and the United States Government 1941-1943
7. Animation at War: Disney, Warner Brothers and War-Time Entertainment 1941-1945
8. That’s All Folks
Works Cited
Filmography
链接
https://www.bloomsbury.com/uk/cartoons-in-hard-times-9781501328756/
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