Rafał Mazur - Guitar & Electronics
他於1971年出生在波蘭克拉科夫,他從小就在克拉科夫學習大提琴,從此開始從事音樂。他在1980年代後期改用低音吉他。從2000年開始,他彈奏了根據自己的需求製作的原聲低音吉他。他為自己的樂器以及即興創作了一種先進而個性化的方法,在該方法中,聲音,擴展的技巧和手勢毫不費力地結合了演奏。
Mazur是ImproArt即興創作工作室的創始人,也是直覺研究所(Institute Intuition)的共同創始人,該研究所致力於克拉科夫的直觀即興創作。他曾在歐洲以及中國,韓國和日本的俱樂部和音樂節上表演爵士樂和即興音樂。最近,他與AgustíFernández,Liudas Mockunas,MartinKüchen,Vasco Trilla Artur Majewski,Peter OleJørgensen,MikołajTrzaska,Zlatko Kaucic,Lotte Anker,Lisa Ullen,Frederic Blondy,Charlotta Hug,Raymond Strid,Franciscoiuring進行了合作Michel Lambert,Barry Guy,Mats Gustafsson,Lidas Mockunas等。
Mazur的主要興趣和活動領域是集體和即興自由即興創作。他認為道教是豐富即興演奏者態度的堅實基礎。他是即興的“道”的創始人-“即興的工作坊”是在意外情況下基於道家行動策略的即興創作。
他還是學術哲學家,他的主要領域是即興哲學,中國道教哲學,中國藝術哲學,進化美學和自然主義藝術哲學。在他的論文中(2017年在雅蓋隆大學(Jagiellonian University)),他提出了關於中國思維體係以聲音為中心的假設,並將中國哲學家文倫的傳統音樂/聲音實踐與當代聲音活動(如聲音藝術,音景,聲音行走和當代聲音)進行了比較哲學。在他的比較工作的基礎上,馬祖爾正在建構一種關於認知概念的創新外觀,這是由他在聽力哲學和自然主義音樂作為振動系統的項目中發展起來的。他是哲學著作《大音無聲》的作者。道家的哲學聲音實踐是在當代藝術和哲學的某些趨勢中進行的。”,以及基於中國哲學“大山之旅”的哲學童話。
在他的作品中,包括與阿古斯提·費爾南德斯(AgustíFernández)的兩張CD(與阿圖爾·馬耶夫斯基(Artur Majewski)的二重奏),與馬丁·庫琴(MartinKüchen)的二重奏的唱片,與弗朗索瓦·卡里爾(FrançoisCarrier)和米歇爾·蘭伯特(Michel Lambert)的三重奏的唱片,與MikołajTrzaska和彼得·奧萊·約根森合作的LP Jellyspace。拉蒙·洛佩茲(Ramon Lopez),吉列爾莫·格雷戈里奧(Guillermo Gregorio)和珀西·珀斯格洛夫(Percy Pursglove),三人組NOBJECT與馬丁·庫琴(MartinKüchen)和瓦斯科·特里亞(Vasco Trilla),三人組RAN與阿爾伯特·西拉(Albert Cirera)和尼古拉斯·菲爾德(Nicolas Field)。他以CDS,No Business Record,Relative Pitch,FundacjaSłuchaj和FMR Records的大多數重要免費爵士樂和即興演奏發行了Cds,但他的主要唱片公司是Not Two Records。
為慶祝即興創作20週年,Mazur以其藝術和哲學理念為基礎,準備了獨奏計劃-即興創作(即興創作),用電貝司吉他指代搖滾音樂,自由即興創作和聆聽,這是一種認知實踐, “大音沒有聲音–大音希聲(老子–道德經)”。在該項目中,Mazur將聽覺作為一種認知實踐,以哲學道家音樂概念為基礎,結合了中國傳統理論和當代理論以及聲音活動和劇烈的岩石振動。
He was born 1971 in Kraków. His involvement with music began in his youth with the cello studies in Krakow. He switched to bass guitar in the late 1980's. Since 2000 he has played an acoustic bass guitar built to his demand. He has developed an advanced and individual approach to his instrument, and to improvisation in general, in which sonority, extended technique and gesture combine effortlessly in performance.
Mazur is the founder of the ImproArt studio of improvisation and co-founder of the Institute of Intuition, studio dedicated to intuitive improvisations in Kraków. He has performed jazz and improvised music in clubs and festivals across Europe as well as in China, South Korea and Japan. Recently he has collaborated with Agustí Fernández, Liudas Mockunas, Martin Küchen, Vasco Trilla Artur Majewski, Peter Ole Jørgensen, Mikołaj Trzaska, Zlatko Kaucic, Lotte Anker, Lisa Ullen, Frederic Blondy, Charlotta Hug, Raymond Strid, Keir Neuringer, François Carrier, Michel Lambert, Barry Guy, Mats Gustafsson, Liudas Mockunas and others.
Mazur's main field of interest and activity is collective and solo free improvisation. He regards Daoism as a strong base for the enrichment of the improviser's attitude. He is founder of Dao of Improvisation – workshop of spontaneous improvisation based on daoistic strategy of action in unexpected situations.
He is also academic philosopher and his main fields are philosophy of improvisation, Chinese daoistic philosophy, Chinese philosophy of art, evolutionary aesthetics and naturalistic philosophy of art. In his dissertation (2017 at Jagiellonian University) he propose the hypothesis about audiocentric ground of Chinese system of thinking and compare the traditional musical/sound practice of Chinese philosophers – wenren, with contemporary sound activities as sound art, soundscapes, sound walks and contemporary sonic philosophy. On the basis of his comparative work Mazur is constructing kind of innovative look on the concept of cognition which is developed by him in the project of listening philosophy and naturalistic concept of music as a vibration system. He is an author of philosophical book „The Great Tone has no sound. Daoist philosophical sound practice in the context of selected trends in contemporary art and philosophy.”, and philosophical fairy tale based on Chinese philosophy „Journey to the Great Mountain.”.
In his work are among others two CD’s with Agustí Fernández (duo and trio with Artur Majewski), LP in duo with Martin Küchen, three CD’s in trio with François Carrier and Michel Lambert, LP Jellyspace with Mikołaj Trzaska and Peter Ole Jørgensen, cooperation with Ramon Lopez, Guillermo Gregorio and Percy Pursglove, trio NOBJECT with Martin Küchen and Vasco Trilla and trio RAN with Albert Cirera and Nicolas Field. He released Cds in most of important free jazz and free improvisation as Clean Feed, No Business Records, Relative Pitch, Fundacja Słuchaj and FMR Records but his main label is Not Two Records.
To celebrate the 20th anniversary of creative work as an improviser, on the ground of his artistic and philosophical concepts Mazur prepared solo project – comprovisation (composition for improviser) with electric bass guitar referring to rock music, free improvisation and listening as a cognitive practice called „The Great Tone has no sound – Da Yin Xi Sheng (Laozi – Daodejing)”. In the project Mazur explores the listening as a cognitive practice based on philosophical daoist concept of music joining traditional Chinese and contemporary theories with sound activities and heavy rock vibrations.
Jazz Improvise Meeting Festival的日记 ( 全部 )
- Christopher Chaplin 克里斯托弗·卓别林 - Electronics
- Alfred Harth - saxophone, clarinet, trumpet, trombone, keyboards, electronics
- Ulrike Haage & Christian Meyer - Pianist and Electronic sound inventor
- Milosh Luczynski - Paris based visual, intermedia, A/V, light artist
- Dickson Dee - Sound artist, Label founder, Organizer, Curator
> 我来回应