Patches 1 - 30 out of 326 are shown below.
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1. #Zoom's Special C3 dt 5 1 10 C9 d7 29
Visit my page for more patches
2. 10 Million Fingers C9 dt 30 3 30 OFF d9 30
Your ears get confused from its shit.
3. 12-String Effect C4 OFF -- 7 24 P6 H4 24
Great for Pink Floyd's "Wish You Were Here".
4. 12-String Simulator L1 Ac 30 OFF 30 C4 d9 30
Close enough that you may decide against shelling out the bucks for a real 12-String. Also much easier to play than reg. 12'er. ENJOY!
5. 2x Fast for Tap and Great Sustain C6 dt 30 9 50 OFF d7 30
This patch is great for tap guitar. It makes it sound like you're playing twice as fast. It's good for non-tap solos as well. You can let one note ring forever. You can up the compressor and delay if you want as well.
6. 70s Funk A9 Ac 30 8 20 P7 H1 30
Good ol' 70's wah funk.
7. 70's Rock - Led Zeppelin C1 bL 15 2 20 OFF H1 25
As about as similar to Led Zeppelin's Jimmy Page as one can get with this gadget. A nice warm tone, with a mild blues distortion. Adjust the gain +5 or -5 depending on the song. For best results do not use bridge pickup by itself.
8. 80s Distortion L6 Mt 30 6 OFF C5 OFF 17
Sounds like the great Glam Rock distortion from the 80s.
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9. 80's Pop Solo OFF Fu 25 9 P9 C5 d7 22
Ideal for those long vibrato notes. Those who remember the likes of Duran Duran and Pseudo Echo will like this synthesized sound.
10. 80's Pop Solo - Revisited P6 Fu 25 9 OFF C4 H6 28
80's Duran Duran type guitar solo patch, tweaked.
11. 80's Porno Synth A3 OFF -- A9 25 C2 d3 29
Wah/synth sound, really good for funk. Oddly enough, sound pretty good with an acoustic/electric.
12. Accept Sound C4 Od 24 A4 24 OFF r3 25
Awesome accept sound for "Balls to the Wall". This one rules!
13. Acoustic Delay C3 Ac 27 A5 5 C3 d4 25
Good for relaxed strumming.
14. Acoustic Octaviser L4 Ac 28 6 26 P1 H6 26
Sounds like an acoustic guitar and an acoustic bass together.
15. Acoustic Phase L5 Ac 28 A8 P1 C3 H2 28
Bright acoustic sound with slow, almost dreamy phase.
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16. Acoustic Simulator C2 Ac 29 A5 45 C2 H3 29
Great for rhythms in acoustic style.
17. All Sprung Out P1 Od 25 9 P9 C5 d7 20
B--oing B--oing
18. Alternative Rock Sound L1 Ld 30 7 24 OFF OFF 20
Like the factory preset, but with sounds tighter with more Gain.
19. AN4A L2 Ld 30 A5 P9 d1 r9 30
Black
20. Australian Juice Box C9 Ld 13 9 22 F5 H3 22
This is my favorite effect I've come up with. It sounds kind of creepy. It also sounds like a digeriedoo (sp?) (Australian aboriginie instrument).
21. Authentic Rockman Sound C7 Od 26 7 20 C3 H6 24
A pretty good Rockman sound. Use the neck pickup with the tone control all the way down.
22. Awakening L6 OFF -- 6 40 C5 d7 25
Really nice clean tone with delay. sounds like *crap* with humbuckers.
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23. Bad Trip A9 dt 28 A7 P5 F8 d8 20
A million different effects at once, not really good for much but sounds cool as hell.
24. Balls-Ass Distortion C5 Od 6 7 6 C8 d3 24
This patch will rock your balls off sideways!
25. Bass for Your Guitar OFF Ac 1 A5 1 OFF OFF 30
This makes most guitars sound like a bass. Turn bass all the way up on your amp and turn high to 0. Don't turn it to high for your amp's sake. Use your guitar's neck pickup.
26. Big Bass C9 Ac 8 1 1 P1 d1 25
Need a bass for your band but don't have one? Try this and watch the windows rattle!
27. Big Muff Wannabe C1 Ld 25 A7 41 OFF H4 28
I did my best to emulate a Big Muff. It sounds nice, not much noise. Kinda smooth, bassy, and fuzzy. It can do most Smashing Pumpkins songs.
28. Billy's Guitar L2 Ry 25 9 19 C2 H3 22
Billy Idol sound alike. Great for rhythm.
29. Black Death C3 Mt 30 9 1 OFF r2 25
Turn the bass down or your amp will explode! Scoop them mids! Pump the treble up to 7 or 8.
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30. Black Sabbath OFF bL 30 OFF OFF OFF OFF 30
Good Black Sabbath sound.
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31. Blink-182 L1 Ld 30 7 24 OFF OFF 30
The real distortion for Blink-182.
32. Blue Monday 1 L9 Fu 20 A9 19 d3 H2 26
This one's good for Orgy's "Blue Monday" chorus.
33. Blue Monday 2 - Distortion C9 Fu 30 OFF 50 OFF OFF 30
A great patch for the song "Blue Monday" by Orgy.
34. Blues L4 Ry 25 OFF 13 C2 r2 28
Pretty cool for ZZTop stuff like 'Tush'.
35. Blues Fuzz C9 Fu 17 8 19 OFF H5 17
Awesome crunch sound for chord backings.
36. BNL's Apartment L9 Od 9 OFF 45 OFF OFF 30
This is a fairly good patch for the song "The Old Apartment" by BNL.
37. Borg Sex A9 Mt 30 9 OFF C2 d6 25
Really fuzzed wah. As used on Joe Satriani's new album, "Engines of Creation" and the song, "Borg sex". It's pretty close. Expression pedal set on p4 if needed.
38. Boston or Rockman Sound C7 Ld 30 7 31 C1 H4 24
Gives you that Rockman sound.
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39. Braze (Weep) Intro OFF Ry 12 OFF 33 F2 H3 30
Intro from Skunk Anansie's 'Brazen (weep)'.
40. Brazilian Sound OFF dt 30 9 20 P7 r5 26
This patch will make some changes in your way of life.
41. Break Your Ears Distortion L9 dt 30 A1 33 C9 r9 30
If you want to really break the ears of your family or friends check this out!
42. Breathin Psychedelic Trippy C5 OFF -- 9 P6 P3 d5 24
Crazy, lofty sort of sound. Best for single picked notes or a bar on all 6 strings at the same fret.
43. Brian May (of Queen) C3 Od 14 3 40 C1 OFF 26
Tuned to settings as described by Brian on his 1987 instructional video=treble, phase, chorus & tube amp. Go 505! Pretty close for a multi-FX box!
44. Brian Setzer C7 Ry 25 OFF 10 d5 r7 28
Great for Stray Cats and Brian Setzer leads.
45. Bright Acoustic OFF Ac 20 9 OFF P7 OFF 30
- No Description -
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46. Bright Metal OFF Mt 30 A9 25 C3 H4 25
I love this distortion. It's loud and good for lead and rhythm. The hall reverb is optional.
47. Bubbling Pits of Hell A9 Fu 25 OFF P5 P1 d6 16
A complex overload of wah, fuzzy phasing, and delay effects with a devilishly low octave tone thrown in. It sounds like raw evil with minor key single-note solos or bass patterns.
48. Bull on Parade P8 dt 19 9 OFF C2 H1 27
Works perfectly for wah part of Rage Against The Machine's "Bulls on Parade".
49. Bullet the Blue Sky OFF Ld 24 OFF P1 S8 d8 25
I made this up for the Popmart-version of "Bullet the Blue Sky", and for the outro on "Discoteque" (live). I think it's quite good. It's a mix of wah, phaser, EQ, etc. Use it for the solo and the basics on "Bullet the Blue Sky"...and at the end of "Discoteque" when the "Boom-cha" bit starts…
50. Candlebox Chorus OFF OFF -- OFF 43 C5 r6 30
- No Description -
51. Captain Crunch C7 Mt 25 9 22 C4 H3 25
Real nice heavy metal distortion sustain.
52. Carbur Distortion C2 dt 26 9 35 F5 H6 30
Distortion with flanger.
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53. Caribbean Steel Drums A3 OFF -- 2 9 P6 d3 25
'Nuff said.
54. Carlos Santana C1 bL 23 2 20 OFF H1 24
This is a realistic patch of Carlos Santana's solo sound. I recomend that you use the reverb on your amp instead of the Zoom if you require it.
55. Chainsaw Distortion C8 dt 30 9 42 OFF H3 24
Sharp and cutting lead sound. Pretty similar to the intro of "Sorrow" by Pink Floyd.
56. Chaotic Distortion C4 bL 30 8 50 OFF r2 28
Using this setting you can easily get artificial & natural harmonics.
57. Chick 'en Pick L7 Ac 30 A5 42 C6 H3 28
Needed a Tele country sound for fast double stops and chicken picken. Try on rear single coil and boost the mids a smidge. Happy picken!
58. Chuck C6 Ac 11 A5 4 F3 H1 29
- No Description -
59. Church Organ C8 Od 3 A1 24 P9 H6 17
Cool church organ sound.
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60. Circles Intro L2 Ac 25 A9 23 C4 d8 30
Sounds close to Satriani's Circles intro.
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91. Dirty Bass C9 Fu 1 A9 50 P1 H9 29
Nine Inch Nails "Head Like a Hole" bass.
92. Distortapoo L4 Mt 30 A8 9 d1 H3 30
Loud noise.
93. Dogs Bollocks C8 dt 8 A5 P2 F1 H4 26
A nice distortion with phaser and flanger. The flanger and phaser give a nice "whoosh" type sound to the distortion. Also adds a little flare when playing lead. This effect is not good for rhythm.
94. Drown L9 Fu 20 OFF 40 C3 d4 30
- No Description -
95. DSs Solo Patch OFF bL 20 9 OFF OFF d7 20
For powerful solos.
96. Dual Rectifier L2 Mt 23 OFF 15 OFF OFF 30
I use a Mesa Boogie and I tried to recreate the sound I think I got pretty close. Very Deftones-like...
97. Duane Eddy Twang C1 bL 9 A2 P9 OFF d4 26
A full, resonant twang that sounds best with the bass strings and bridge pickup.
98. Easy Blues OFF bL 6 A2 13 OFF H1 26
This is great for playing blues string by string.
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99. Eddie Van Halen C4 dt 30 4 16 C2 H2 30
Try setting your amp Low and Mid at 2, and High at 1.
100. Eddie Van Halen Distortion C2 dt 30 4 16 C2 d4 25
Sounds cool on "Ain't Talkin' About Love"!
101. Eddie Van Halen Flanger L1 dt 30 4 16 F7 d4 25
Perfect for "Unchained"!
102. Electric Jello L7 OFF -- 1 P6 C5 d2 23
Deep sound with slight delay. Good for spacey leads.
103. Elivacisn L4 Ld 20 8 16 C3 d8 23
This is a rock/blues patch for soloing.
104. Eric Johnson L2 Od 25 9 38 C1 d8 25
Used for Cliffs of Dover. Playing a Carvin AE185 using the bridge Holdsworth model humbuckers. Patch is for the Zoom 505II. Not listed - Contour: 6 & Time: 10
105. Eric Johnson Type Distortion Delay L2 Od 20 9 50 C2 d8 26
Not an agressive distorted patch, but a slight distortion to play songs like "Cliffs of Dover".
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106. Evil C4 Fu 30 7 19 F3 r2 21
Evil, and can make yourself satan himself.
107. Evil 666 OFF Fu 30 7 23 OFF OFF 28
Hard evil crunch tone, turn the bass up and start shredding.
108. Extra Heavy C9 dt 30 A6 44 d9 d4 30
A very heavy sound with good sustain, great for bass guitars and metal solos.
109. Extra Heavy C9 dt 30 A6 44 d9 d4 30
A very heavy sound with good sustain, great for bass guitars and metal solos.
110. Fade to Black P4 Mt 30 A7 50 OFF H2 30
This is the "Fade to Black" intro. Sounds good for just about any solo. Has sort of a wah scream.
111. Fat Fuzz C3 Fu 30 A6 12 OFF r6 24
Fat sound for rhythm or lead. Very Nirvana-like.
112. Finger Pickin' Blues C4 Ry 22 OFF 23 C1 H3 30
Best on brightest pickup with the guitar volume all the way up. Great close-up, semi-distorted tone, you can hear fingernails scraping. For the tasteful guitarist…
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113. Flanged distortion C5 bL 20 9 OFF F1 H9 25
A jet-like distortion sound. Good for some metal.
114. Flanger/Phaser L9 OFF -- Off P1 F4 H4 29
Pretty cool Amorphis: Orphan sound.
115. Foo Fighters Sound C3 bL 30 7 35 OFF r4 27
This is the best Foo Fighters sound I can get. It goes well with "Everlong" and "Monkey Wrench".
116. Freaky Distortion P1 Od 30 4 36 C9 d4 30
Dark Distortion
117. Fretless Bass C9 Od 1 1 P5 P1 d1 25
Makes guitar with humbuckers sound a lot like a fretless bass; use neck pickup, turn the tone knob down a bit, and of course play with your fingers, not a pick.
118. Frozen Echoes L9 Ac 6 7 31 S7 d4 26
This is what it's like in the Fortress of Solitude.
119. Fuckin' Heavy Shit! C2 Mt 18 OFF 45 OFF OFF 29
If you like really heavy distortion this is it! In fact, it was too heavy to record with computer line-in without it sounding weird! PS. I'm not 100 % sure about the below stuff, so check it on our website in a week... www.soundogre2.cjb.n
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120. FuFlangeDe A5 Fu 25 A3 P7 F8 H9 25
Soul in FuFlangeDe
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121. Fuzz Distortion C1 Fu 30 9 36 d4 r2 25
Distortion like Nine Inch Nails "Rammstein".
122. Fuzz Lead C9 Fu 28 OFF 36 OFF H4 30
Smooth Hendrix-type lead.
123. Gary Moore C9 Ld 20 A9 OFF OFF H6 25
The sound of Gary Moore.
124. Ghost Howl OFF Ld 16 A1 19 d8 H9 20
Eerie, otherworldly fuzz.
125. Giant Steps A1 Mt 30 OFF 50 P1 H9 30
Sounds like Godzilla or bigfoot is in your amp.
126. Gibson to Strat P9 Od 17 A4 9 OFF r5 20
Use neck Pickup to give your Gibson that SRV Strat sound.
127. Given to Fly C4 Od 6 7 29 F4 H9 25
Sounds a lot like Pearl Jam's song "Given to Fly".
128. Grammatrain Solo C4 dt 27 A9 10 C1 H4 27
Distorted grunge solo.
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129. Great Rhythm L5 OFF -- 9 OFF P7 H3 25
This patch is like everything about music: try it out and see if you like it.
130. Great Rhythm L2 Ac 30 9 30 C3 r9 30
- No Description -
131. Green Day OFF Ld 26 A6 22 OFF H1 18
Green Day Distortion
132. Gut Wrentchin' Metal L9 dt 30 A1 50 OFF H2 30
The best god-damn distortion I've come up with, works with almost any kind of twisted death metal melodies your demented minds will come up with!
133. Half Sprung L6 OFF -- 6 40 C5 d4 24
Just a little on the wacky, bouncy side.
134. Hard Distortion L5 Od 12 A9 19 C9 r1 26
Harddddddddddd distortion (i.e., Sepultura).
135. Hard Sh*t C9 Od 21 OFF 10 P9 r9 30
Feels like constipation before work or school.
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136. Heavy L5 Ld 30 A9 7 OFF d4 26
- No Description -
137. Heavy Ballsass Metal C1 Mt 30 A9 50 d2 r1 30
If you like Megadeth and Slayer and wicked shit like that dis is the one for you!!!
138. Heavy Metal 1 OFF dt 30 A4 50 OFF H2 27
Nice meaty, heavy distortion. Great when playing power chords.
139. Heavy Metal 2 C9 dt 30 9 50 OFF H2 30
This is the heaviest distortion possible. Turn low end way up, mid off and high on 4. Use lead pickup.
140. Heavy Metal with Sweet Pitch OFF dt 30 A9 OFF d3 H9 26
Kick a$$ for speed metal.
141. Heavy Power C4 Ld 26 8 38 C3 d1 22
Powerful sound, I enjoy using it with Pink Floyd and others.
142. Heavy Rock C9 Ry 30 6 31 C2 H3 20
Great heavy rock or metal sets!
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143. Heeeeaaaaavyyyyy!!! C9 Mt 27 7 47 OFF H9 26
Just try it, period.
144. Hipno A3 OFF -- 9 P3 P5 d9 28
Great for a never-ending arpeggio. Just play slowly string by string and you will see...
145. Improved Metal OFF dt 30 A9 12 OFF r1 25
This sounds a lot better than the factory preset Metal patch.
146. In My Cheek A3 OFF -- OFF 1 S3 d2 30
A little wah, doesn't take itself seriously.
147. Incisive Clean C9 OFF -- 6 40 C6 H5 17
A good clean sound.
148. Industrial Sound C9 Fu 30 A9 50 d9 OFF 25
Sounds pretty cool if you're into industrial music.
149. Iron Maiden Harmony C9 Ld 30 9 50 P4 OFF 17
Good for "Duellists" and "Ryne of the Ancient Mariner".
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150. Jazz/Blues C3 Od 6 OFF 35 OFF d7 20
- No Description -
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151. Jeff Beck "Flash" Tone C3 Od 26 1 20 C2 d6 17
A little bit like a "Rockman" tone. It sounds cool on stuff from "There and Back" or "Flash". Try playing "The Pump".
152. Jet Drive Extrodinaire C4 dt 30 A9 46 F1 r1 30
The best jet drive I've come up with, nice clean sound for solos. Put the bass down a notch…
153. John Frusciante (Pepper) Strat Tone OFF bL 6 A2 13 OFF OFF 26
An emulation of John Frusciante's strat. (as in Scar Tissue & Otherside)
154. John Frusciante on Under the Bridge OFF Ry 25 A7 33 Pd H2 24
This nice patch brings Frusciante's strat on the song "Under the bridge".
155. John Hiatt L9 Od 12 2 OFF OFF r5 23
Works for lots of John Hiatt songs. Has been used for "Blue Telescope." Use pickup with warmest sound; experiment with gain settings.
156. John's Patch A1 Ry 29 A6 16 F7 H1 30
- No Description -
157. Journey Solo Lead L1 Ld 13 A2 25 C2 H6 27
Neil Schon (Journey) lead sound as heard in "Who's Cryin' now", "Don't Stop Believin'", etc.
158. JWO Alternative L1 Ld 30 9 1 OFF d1 30
Alternave rock and kinda crazy.
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159. Katorraiser P9 Mt 2 1 P9 Pd OFF 29
This the only metal sound, break your head!
160. Killer Feedback A9 dt 30 A6 24 d5 r5 24
Makes great feedback if you turn volume to 10 on guitar and 3 on the amp.
161. King Crimson L9 Fu 30 A4 45 OFF H4 25
Close to Robert Fripp's sound from the early seventies. Use humbucker and set tone control all the way down.
162. King Stevo L8 Ry 22 A8 13 F8 H9 28
Good for Metallicas "King Nothing" intro.
163. Kirk Hammet Power Solo (Metallica) A9 dt 28 6 25 OFF d5 25
This is almost a perfect recreation of Kirk Hammet's power solo effect used most noticeably at the begining of "Fade To Black" and "Turn The Page" enjoy........ cause I spent a while on this one......any comments? steppinwolf69@hotmail.com
164. Kirk Hammet Distortion (Metallica) C9 dt 28 6 34 OFF d1 25
This is Metallica's own...Kirk Hammet's lead distortion used in pretty much all the songs. enjoy......any comments? steppinwolf69@hotmail.com
165. Kirk Hammet Lead L6 Ld 26 8 32 C2 OFF 28
Kirk Hammet's general distortion, used in many Metallica favorites.
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166. La Pingadora C7 bL 8 A2 P8 C8 d7 30
Its sound is unmatchable, only a few know it, something really cool and strange, try it.
167. Laid Back Delay OFF dt 12 OFF 45 C4 30 0
Clean chorus, with a distinct edge.
168. Lay in Bed C5 Ry 2 3 10 S9 OFF 7
This is good to use before going to sleep on sundays.
169. LB DEELay C9 Ry 5 3 25 C3 d9 23
-Wes Borland Delay- This is really for users of the Zoom 505II. If you have one, set TIME to 37.
170. Lead C6 bL 30 5 20 OFF H5 25
This patch is a smooth solo - play it with the neck pickup.
171. Lead Guitarist Patch L7 Ld 30 9 45 C2 d7 24
Very useful in any kind of song when soloing...if you want it just select a d7 or h9 in delay/reverb...
172. Lick the Sky L9 Fu 23 A9 P1 F2 d1 17
The sleek sound of a futuristic twin engine jet. Letting chords swoosh is great, as are bursts of staccato 8th note chords. Lovely, not gimmicky!
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173. Limp Bizkit Distortion OFF dt 30 A1 50 OFF H1 30
I tried for a long time to get the perfect Limp Bizkit sound. Well, here it is. I recommend using your neck humbucker (or on a Strat neck and middle) and tuning to C#.
174. Linkin Park - One Step Closer C4 dt 30 8 50 OFF r2 27
This patch works good for Linkin Parks' "One Step Closer".
175. Liquid 1 A5 Od 10 9 22 P4 H6 24
- No Description -
176. Little Black Box L4 Mt 30 A3 50 P1 r4 20
Best when tuned to drop d. Bass all the way up, mid at 0, treble all the way up.
177. Live Metal L9 dt A7 50 d4 OFF 30 0
Totally cranks, gives the sound of a guitar in a large concert hall. Also excellent for metal leads.
178. Loud C2 dt 20 8 30 C2 H1 25
This patch is kind of cool. Good for backing guitar tracks.
179. Low End Metal C1 Mt 30 9 46 OFF r2 30
This pacth is great for the nice low-detuned 7-string sound, good for Fear Factory and Korn.
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180. Lunar Mountains C5 OFF -- 4 36 F7 d8 29
Spacey crystal clear echo with chorused slow flange. Beautiful for strumming and arpeggios
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181. Machina OFF Mt 28 OFF 49 OFF H3 28
Perfect for the new "Machina" songs like 'Everlasting Gaze' and 'Heavy Metal Machine' by Smashing Pumpkins.
182. Mad Stepscientist's Lab P7 Fu 25 A1 14 S4 d7 20
At last I can submit you to my fiendish experiments!
183. Madison Square Bedroom C2 Ld 26 1 48 C2 d6 25
A great patch for soloing and tapping.
184. Malcolm Young OFF Ry 20 OFF 45 OFF r9 30
Rhythm guitar for AC/DC. In an interview Angus said that his brother plays with not much gain, but very loud with headphones. Gain 20 with amp gain 10.
185. Man in the Box A2 Ld 22 5 24 C3 H3 27
Alice in Chains sound alike.
186. Man with the Sandwich C4 dt 30 4 43 C2 d4 25
Heavy, harmonic-laden distortion, effect fades after a few seconds. UNBELIEVABLE sustain. Very grandiose.
187. Manson Distortion C3 dt 7 A8 5 OFF OFF 29
Get that Angel with the scab wings sound...
188. Manson Noise C4 dt 27 6 35 Pd OFF 30
Perfect for Manson's "Antichrist Superstar" distortion.
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189. Marshall OFF Ac 4 OFF 7 OFF H6 20
- No Description -
190. Mega Crunch L1 Mt 30 4 26 C2 H5 30
Has a great sound and has a very good sound when palm muted. It takes a lot of volume before there is any feedback.
191. Megadeth L9 dt 30 A9 40 C1 d1 25
- No Description -
192. Megadeth Distortion L8 dt 30 A1 50 OFF d1 25
Sounds like the distortion used on Megadeth's 'Countdown to Extinction' album.
193. Megadeth, Youthanasia Album Distortion C3 dt 25 A6 35 OFF r1 25
This sounds like the distortion of of Megadeth's "Youthanasia" album. Sounds better with single coil pickups.
194. Mellow Delay C4 Ld 13 2 P1 F7 d8 20
A mellow sound great for pretty much any slow songs ("Fade to Black", "One", & "Unforgiven" by Metallica). New way to hear old songs.
195. Metal C7 dt 30 OFF 41 P7 d3 20
Good sound for metal songs.
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196. Metal Delay C3 dt 27 6 24 OFF d8 23
Great metal sound for lead. Very different. Try it out on stuff like "Where Ever I May Roam" and "One" by Metallica. Lots of palm muting and single string runs.
197. Metal Max! L4 Mt 30 A9 42 OFF H2 25
Really heavy, really loud! Turn the mid on your amp WAY down, turn the Low to 8 or 9 and the High to about 7 and away you go! Great for Metallica kind of stuff.
198. Metallica C8 Ry 28 A9 33 OFF H6 20
- No Description -
199. Metallica "Fuel" C2 Mt 30 OFF 10 C1 r9 26
Good for "Fuel" on Metallica's Reload album.
200. Metallica "Kill 'em All" C9 bL 28 7 34 C1 H3 25
- No Description -
201. Metallica Clean L9 OFF -- OFF 40 C4 H4 27
The most common clean sound used by Metallica (specially S & M).
202. Midnight Train C4 OFF -- 3 22 F7 H8 21
Bluesy phase like it's off in the distance.
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203. MOD Thrash OFF Mt 28 A1 OFF OFF d2 28
- No Description -
204. Monster Patch L4 Ld 6 6 P7 S7 d4 25
This patch is a mixture of a bunch of noises. Enjoy.
205. Moody Chorus L4 OFF -- 5 35 C4 H4 25
This sound makes my cheap Strat copy sound terribly good.
206. Moons of Saturn L2 Od 20 A4 15 P2 d7 20
Good for jazzy fusion leads; passed on to us by the space brothers.
207. More Metal L8 Mt 30 A1 17 OFF d1 26
This patch gives you a fat and full Metal sound that's great for Rhythm or leads.
208. My Patch OFF Ld 30 9 50 OFF H2 27
The patch I used in my band. Use with a very powerful amp or head, to obtain the very best of it. Use low about 7, mid about 3 high about 5, precence about 5.
209. Negasonic Teenage Warhead L9 dt 30 OFF 16 F1 H2 26
Monster Magnet tune with a real cool jet flange at the beginning. Here it is (well, close anyways).
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210. Nice Distortion L9 Ld 20 8 34 C3 H4 22
Nice smooth sounding distortion. Level doesn't really matter.
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211. Nice Rhythm OFF Ld 24 A6 41 OFF OFF 26
I use this one to play most of my rhythms. Use the neck-pickup, and try some high-pitched chords on 2 or 3 strings -> they really rock!
212. Nice Solo L4 bL 16 6 32 d1 d3 26
Use the Humbucker, turn your amp up loud and play some really fast 'tapping' solos -> you'll feel like God.
213. Nine Inch Nails L9 Fu 30 A2 30 d4 r4 24
Great for "Wish" and "March of the Pigs".
214. Nirvana Distortion C9 Mt 20 A4 OFF OFF OFF 27
You can play any song from Nirvana with this effect.
215. Noise FreeDistortion OFF Mt 15 9 OFF OFF r6 25
Good distortion for AC/DC and doesn't make noise when playing has stopped.
216. Nothing Else Matters (Intro) OFF Ry 13 1 34 C3 H3 30
Intro from Metallica's 'Nothing Else Matters'.
217. Nothing Else Matters (Solo) C9 Od 21 3 34 OFF d2 23
Solo from Metallica's 'Nothing Else Matters'.
218. Number of the Beast (Intro) C3 dt 26 9 41 F1 H5 28
- No Description -
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219. Old Punk or Green Day Distortion C1 Ld 30 9 21 OFF H3 28
Sounds a lot like Green Day on the Dookie album. Play it through a Peavy Bandit or it sounds like crap!
220. Orion C2 dt 23 OFF 23 OFF OFF 16
Sounds good for the middle part of "Orion".
221. Ozzy Osbourne Randy Rhoads C5 dt 25 9 41 C3 H2 27
Good for "Crazy Train", "Flying High Again", and "Over the Mountain".
222. Pantera 1 L8 bL 26 A1 24 P7 d7 26
For the end riff of "Floods".
223. Pantera 2 C9 dt 30 OFF 50 C3 OFF 30
The best Pantera patch I've heard.
224. Pantera 3 - Floods L8 bL 28 A1 24 P7 d7 26
Perfect for the end riff of "Floods" - my favorite patch.
225. PC Recording OFF Ld 30 A9 36 OFF OFF 26
If you like metal and want to record yourself directly, this patch for you. Very Sepultura, Metallica, Grip Inc. Sounds great on Drop D, or D tuned Drop C. Don't use the chorus or reverb. Instead record yourself again and put one guitar at each side. You'll sound like a pro record.
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
226. Pink Floyd "Time" (Intro) OFF Od 30 9 30 P1 H4 19
Pitch shifted, cavernous recreation of Pink Floyd's "Time" intro.
227. Pink Floyd "Time" (Solo) C1 Ld 24 9 30 F3 d8 15
Simulates guitar tone of "Time" solo. Good with Strat bridge pickup.
228. Pink Floyd Delay C7 Ry 1 A7 32 C3 d7 29
This is the nicest Pink Floyd sound I've come up with thus far... it sounds good with "Shine On", is great for most clean guitar on "Dark Side of the Moon", and if you add a little bit of distortion it works well with "Run Like Hell". Enjoy!
229. Pink Floyd Phaser OFF Ry 24 9 P6 F5 OFF 25
Good for "Have A Cigar".
230. Pink Noise A6 Ld 26 A6 22 OFF H1 16
Distortion with a bit of wah; great for pulldowns.
231. Pitch Shift OFF dt 30 9 28 P5 H5 23
Pitch-shifted tone with medium distortion. Really good for solos, but not too much else.
232. Play All Distortion OFF Mt 30 9 50 OFF H3 27
This is a good distortion to play all kinds of songs.
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
233. Polished Distortion OFF bL 30 9 40 OFF OFF 30
I used to get lots of feedback while using this much distortion on the Zoom 505, but now I seem to have fixed the prob. Check it out: use ZNR AMP 9.
234. Poo Poo Pee Pee C3 Mt 14 A3 16 C7 OFF 21
Use this patch to get the poo out of your bum bum. Or us a Q-tip.
235. Pride (In the Name of Love) OFF OFF -- A1 28 OFF d9 22
The delayed sound for "Pride" off of The Unforgettable Fire. Just get the band to play to tempo and you're laughing. Use through a mono set-up, as the seperated signal sounds dull and drifty.
236. Pseudo Sitarchestra A8 Ry 21 A2 P3 P9 d7 28
Thick strings sound like drones, thin ones like a sitar - harmonics are plentiful and can be varied with attack.
237. Psycho Distortion OFF dt 15 4 17 F3 H1 25
Good for today's rock leads, like Rage Against the Machine's "Killing in the Name".
238. Punk Disco L9 Ry 30 A3 20 OFF H1 26
It's like Antimanisfesto (live) by Propagandhi.
239. Puta Loca L9 Fu 10 A1 9 C9 H1 30
Very crazy and heavy (similar to the sound of Motorhead, Metallica, Soundgarden, and others).
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
240. Rammstein Distortion C2 dt 22 A9 7 Pu r1 25
Sounds like the distortion Rammstein uses in a few of their songs such as "Du Hast".
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
241. Ramones old sound C7 Ld 15 A8 37 OFF r3 28
Sounds about like the first three Ramones records.
242. Red House L2 Ry 25 OFF 13 C2 d5 29
Great for Hendrix's "Red House".
243. Rigby's Patch of Love C3 dt 4 9 30 d1 r3 30
Cool highly-strung contemporary goth-rock sound.
244. Ritchie Blackmore C7 Od 17 8 26 OFF H5 25
Ritchie Blackmore patch to be used with a Fender Stratocaster.
245. Rock OFF Ry 20 A1 25 OFF OFF 25
Good for all around rock.
246. Rock and Roll Drive C5 Od 18 A1 25 C1 OFF 20
Great to play in full chords! Doesn't work for two note chords.
247. Rockabilly C4 OFF -- A1 20 d9 d1 28
Nice for Rockabilly stuff. I use it in "Jump Jive and Wail" for the clean.
248. Rocking Distortion OFF Mt 29 6 48 OFF r1 30
Great for slamming rock leads!
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
249. Satanic P9 Ld 22 A2 34 C2 d9 23
Dark black metal.
250. Satriani C8 dt 25 5 20 C5 OFF 25
This sounds great on songs such as "Crushing Day" and "Always With Me, Always With You". Needs lots of compression.
251. Satriani Lead OFF Ld 25 A2 22 C2 H4 25
Joe Satriani distortion sound for "Cryin".
252. Saturax's Fav Tone C3 Od 25 A9 20 C1 H3 25
Cool distortion for bluesy-heavy rock. Good for oldies heavy tones.
253. Scared C4 Fu 30 A1 45 d5 r4 30
Tune to drop D, bass at max, mid at 0, treble at max.
254. Screaching Weasel L1 dt 20 A9 6 Pu H1 30
Sounds exactly like Screaching Weasel.
255. Simple Distortion C9 dt 20 A5 30 OFF OFF 24
Simple Distortion (this patch is better than the factory preset, but with more treble and less bass.
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
256. Slash Distortion C3 Ld 26 A4 32 C2 H3 26
This sound is exactly like a Guns N Roses album.
257. Slash Rhythm OFF dt 27 9 20 OFF H5 29
This is my idea of a slash rythm patch.
258. Slash's 12 String Guitar C5 OFF -- A9 36 P1 H1 30
It sound exactly like the introducction of "Knocking on Heavens Door" but Guns n Roses. If you have a Les Paul, play it at rhythm on the pickup.
259. Slow Ball L6 OFF -- 6 45 C5 d7 29
Cool sound for slow stuff.
260. Small Amp Distortion C2 Od 30 7 25 OFF r4 30
Use through the clean channel to get feedback and squeals out of a 15 watt 8" amp.
261. Smoke's Blackmoore Water C9 Od 14 9 40 OFF H5 27
Sounds like a distortion used on the "Smoke on the Water" solo by Ritchie Blackmoore.
262. Smooth C9 Ld 24 A6 41 C4 H1 26
Cool for "Smooth" by Santana.
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
263. Smooth as Silk L9 Ac 1 6 26 C5 H2 28
Good tone for Metallica's "One", "Welcome Home Sanitarium", "Nothing Else Matters", and "Fade to Black".
264. Smooth Metal C9 Mt 6 9 6 OFF OFF 25
Smooth natural-sounding distortion.
265. Smooth Violin OFF Fu 11 7 25 F2 d3 17
Smooth Violin sound.
266. SNaFu L1 bL 27 A9 45 Pd H2 30
This is a real harsh and powerful distortion... and the good thing about it is that it dosen't make your amp hum like some of them do.
267. Solo 1 L4 Fu 24 9 17 d5 H8 26
Great sound for heavy metal solo.
268. Solo Distortion C4 bL 23 4 27 C6 H3 17
Great for power solos.
269. Solo Wah A6 Od 15 7 P6 OFF r9 27
- No Description -
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
270. Solo/Lead C5 dt 25 9 41 C3 H2 25
Good solo or lead with distortion.
Comp Dist Gain ZNR/
AMP EQ Mod Dly/
Rev Level
271. Space (Arkiv X) A4 bL 7 7 P6 F7 H9 22
- No Description -
272. Sprowell C1 Od 30 A1 34 S1 r1 2
音色表
2011-07-14 10:23:28
来自: 巫峡
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