吳山專與英格應邀參與本屆台北雙年展

                
                
吳山專與英格•斯瓦拉•托斯朵蒂爾應2014台北雙年展之邀，展出「物權宣言」系列手稿。展览已於9月13日開幕，以「劇烈加速度」為主題，旨在表達與探討人類、動物、植物與物之間的共同生活狀態。展期間，將設題為「生產藝術」討論專場，以吳與英格的創作為案例展開。本文分享「物權宣言」手稿、藝術家自述及評論精選。
                
                
物權宣言 THING’S RIGHT(S) DECLARATION
1994
手稿 Handwriting on Paper
21 ×29.7 cm × 30
第一條
所有的它在而超越尺度，在物態和複數的權利中一律平等，他們有物所當然和在，以物鏈關係的物態相互被作用。
Article 1/30
All of it is being been at large and identical in matter position and right(s). All of it is being endowed with a matter of course and existence and should be being acted towards one and another in a matter of objecthood.
                
                
第二條
所有的它有複數的權利和超越尺度，不分物類，物層，形態，振動，比重，範圍和其他外觀，物籍或物界在地，慣性，在位或其他物份等任何區別。不得因一物所屬的範圍關係或宇宙間的位置而有所不同，無論它是被材料，或處於其他任何存在力量的限制之下。
Article 2/30
All of it is being entitled to all right(s) and at large, without distinction of any kind, such as birth, colour, gender, vibration, specific gravity, compass or other appearance, objective or world things-ship origin, inertia, place of being or other status. Furthermore, no distinction shall be being made on the basis of the compass relational, or universal status to which it belongs, whether it be been material or under any other limitation of the power of being.
                
                
第三條
所有的它有複數的權利起作用的在，超越尺度和物的在。
Article 3/30
All of it has the right(s) to be active being, at large and existence (being) of object.
漢堡
1994年6月
致相關人士：
考慮一下物的權利，一個承擔了全部物權的剩餘物。
為一物者，無關身份。關乎心靈的態度。
你環顧四周時更清楚地發現，這全世界的物的集群彼此的相似之處遠勝於你的以為。
在所有物中之為一物，在你成為一剩餘物之處，你發現物權。
在這一剩餘物的所在，物權出現。
英格·斯瓦拉·托斯朵蒂爾
雷神女兒粉化服務
吳山專
國際紅色幽默
（中譯：陳韻）
HAMBURG
JUNE 1994
TO WHOM IT MAY CONCERN.
THINK ABOUT THE RIGHT OF THINGS, AN EXTRA FOR THING’S RIGHT(S) ALL.
BEING A THING IS NOT A QUESTION OF IDENTITY. IT’S AN ATTITUDE OF MIND.
SOMETHING WHICH BECOMES CLEARER WHEN YOU LOOK AROUND YOU, THERE YOU SEE A COSMOPOLITAN GROUP OF THINGS WHICH HAS MORE IN COMMON WITH EACH OTHER THAN YOU PROBABLY THOUGHT.
BEING A THING AMONG THINGS ALL, WHERE YOU BECOME AN EXTRA, THERE YOU FIND THE RIGHT OF THINGS.
WITH THE EXTRA POSSITION THE THING’S RIGHT(S) IS APPEARED.
INGA SVALA THORSDOTTIR
THOR’S DAUGHTER’S PULVERIZATION SERVICE
WU SHANZHUAN
RED HUMOUR INTERNATIONAL
作為吳山專與英格龐大的思考與創作系統中最重要的一條線索， 「物权」并非人权的相似物，更不是人所熟知的财产权，而恰恰是其反面。尽管声称要「给所有的现成物以最简单的权利的概念」，但「物权」要做的并非为「物」立言，它所陈述的不是物作为物自身的权利，因为在《物权》中，自由=超越尺度，而權利=物所當然。 「物权」对「人权」的贡献不止于提供一个反思与批判的维度，而是一种加补，用吴山专本人的话说，就是「给人权以开放的容量」。对吴与英格来说，人权是一个极其封闭的容器，在《人权宣言》中，对人权的这种天命式规定的基础——人性，其本身的设定是封闭的。
*節選自高士明教授所撰文章《一個無政府主義的結構：吳山專、托斯朵蒂爾的物權及其他》
As one of the most important clues to Inga and Wu's ponderous contemplative and creative system, thing's rights are not a proxy of human rights, nor are they what are widely known as real rights, but rather their opposite. Despite its claims to 'grant all the readymade things the simplest concept of rights', what Thing's Right(s) aims at isn't the construction of a discourse: what it states are not rights that things have by themselves, since in Thing's Right(s) freedom equals "at large", and rights are tantamount to "matter of course". The contributions made by Thing's Right(s) to 'human rights' are not confined to a reflective and critical dimension. Rather they are a kind of amendments. In Wu's own words, they 'supply human rights with the capacity for openness'. For both Inga and Wu, human rights are an extremely segregated vessel. In Declaration of Human Rights, the rather providential basis on which human rights are stipulated – humanity – is itself a closed provision.
(From An Anarchy Structure: Inga Svala Thórsdóttir & Wu Shanzhuan's Thing's Right(s) etc. by Prof. GAO Shiming, president of SIMA, CAA)
吳山專與英格•斯瓦拉•托斯朵蒂爾
工作和生活於漢堡，上海與冰島
吳山專1960年生於中國，1986年畢業於浙江美術學院師範系，1995年畢業於漢堡藝術學院自由藝術系。 1985創立紅色幽默，1990年創立國際紅色幽默。英格•斯瓦拉•托斯朵蒂爾1966年生於冰島，1991年畢業於冰島藝術學院繪畫系，1995年畢業於漢堡藝術學院自由藝術系。 1993創立雷神女兒粉化服務，1999年創立BORG藝術機構。
吳山專與英格自1991年合作至今。
吳山專與英格•斯瓦拉•托斯朵蒂爾的近期個展包括：「印刷機、紙張、圖層、物權、小肥姘」，新加坡泰勒版畫協會，新加坡（2014）；「北極(狐)弧線 — 溫戰 — 大拼貼」，漢雅軒，香港（2013）；「關於某物的報告」，OCT當代藝術中心，深圳（2013）與「kuoxuan」，長征空間，北京（2011）。他們近年參與的群展包括：「太平廣記」，紅磚美術館，北京（2014）；「過剩作家」，Witte de With當代藝術中心，鹿特丹（2012）及「時·地·戲：印中當代藝術」，上海（2010）。
Inga Svala Thórsdóttir & Wu Shanzhuan
Live and work in Hamburg, Shanghai and Iceland
Inga Svala Thórsdóttir, Icelandic born 1966. Gratuated 1991 from Painting Department of the Icelandic School of Arts and Crafts. 1995 gratuated from the Hochschule für bildende Künste in Hamburg. 1993 founded Thor’s Daughter’s Pulverization Service.1999 founded BORG. Wu Shanzhuan, 1960 born in China, 1986 graduated from Normal Department of the Zejiang Art Academy. 1995 graduated from the Hochschule für bildende Künste in Hamburg. 1985 founded Red Humour. 1990 founded Red Humour International.
Since 1991 Thórsdóttir and Wu have been working and exhibiting collaborative.
Inga Svala Thórsdóttir & Wu Shanzhuan’s recent solo exhibitions include: The Printer, The Paper, The Layer, The Thing’s Right(s), The Little Fat Flesh, Singapore Tyler Print Institute, Singapore (2014); Artic Fox Arc – Temperature War – Large Collage, Hanart TZ Gallery, Hong Kong (2013); What A Form: A Reportage, OCT Contemporary Art Terminal, Shenzhen (2013) and kuo xuan, Long March Space, Beijing (2011). Their recent group exhibitions include: Tales from The Taiping Era, Red Brick Art Museum, Beijing (2014); Surplus Authors, Witte de With, Rotterdam (2012) and Place – Time – Play: Contemporary Art from the West Heavens to the Middle Kingdom, Shanghai (2010).